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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen:

soles of the feet; and when matters grew to too high a pitch, then the Bachelor talked Latin, in the hope of being better understood--but it was of no use after all.

* Herostratus, or Eratostratus--an Ephesian, who wantonly set fire to the famous temple of Diana, in order to commemorate his name by so uncommon an action.

"What's the matter?" asked the Hostess, plucking the Councillor by the sleeve; and now his recollection returned, for in the course of the conversation he had entirely forgotten all that had preceded it.

"Merciful God, where am I!" exclaimed he in agony; and while he so thought, all his ideas and feelings of overpowering dizziness, against which he


Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

Courteous demeanour; 'twas common alike to nobles and burghers, And to peasants, and each enjoin'd it on all his acquaintance. in the same way, on the side of the Germans, the children were train'd up Every morning, with plenty of kissing of hands and of curtsies, To salute their parents, and always to act with politeness. All that I have learnt, and all I have practised since childhood, All that comes from my heart,--I will practise it all with the old man. But on what terms shall I--I scarcely dare ask such a question,-- Be with yourself, the only son, and hereafter my master?"

Thus she spoke, and at that moment they came to the peartree. Down from the skies the moon at her full was shining in glory;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

She suddenly lay down flat on her back, took in six long breaths, and sat up again.

"The death agony was dreadful," she said brightly; "of the second, I mean. The 'first' was run into by a furniture wagon, and had fifty marks stolen out of a new waistcoat pocket, but the 'second' was dying for sixty-seven hours. I never ceased crying once--not even to put the children to bed."

A young Russian, with a "bang" curl on her forehead, turned to me.

"Can you do the 'Salome' dance?" she asked. "I can."

"How delightful," I said.

"Shall I do it now? Would you like to see me?"

She sprang to her feet, executed a series of amazing contortions for the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fantastic Fables by Ambrose Bierce:

AN Undertaker Who Was a Member of a Trust saw a Man Leaning on a Spade, and asked him why he was not at work.

"Because," said the Man Leaning on a Spade, "I belong to the Gravediggers' National Extortion Society, and we have decided to limit the production of graves and get more money for the reduced output. We have a corner in graves and propose to work it to the best advantage."

"My friend," said the Undertaker Who Was a Member of a Trust, "this is a most hateful and injurious scheme. If people cannot be assured of graves, I fear they will no longer die, and the best interests of civilisation will wither like a frosted leaf."


Fantastic Fables