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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Les Miserables by Victor Hugo:

In order to insure a good reception there, only one irreproachable thing is asked of you; your conscience? No, your boots."

All passions except those of the heart are dissipated by revery. Marius' political fevers vanished thus. The Revolution of 1830 assisted in the process, by satisfying and calming him. He remained the same, setting aside his fits of wrath. He still held the same opinions. Only, they had been tempered. To speak accurately, he had no longer any opinions, he had sympathies. To what party did he belong? To the party of humanity. Out of humanity he chose France; out of the Nation he chose the people; out of the people he chose the woman. It was to that point above all,


Les Miserables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herodias by Gustave Flaubert:

with interest, and then demanded that the subterranean chambers of the fortress be thrown open for his inspection. These chambers were cut into the rocky foundation of the castle, and had been formed into vaults, with pillars set at regular distances. The first vault opened contained old armour; the second was full of pikes, with long points emerging from tufts of feathers. The walls of the third chamber were hung with a kind of tapestry made of slender reeds, laid in perpendicular rows. Those of the fourth were covered with scimitars. In the middle of the fifth cell, rows of helmets were seen, the crests of which looked like a battalion of fiery serpents. The sixth cell contained nothing but empty quivers; the seventh, greaves for


Herodias
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Amy Foster by Joseph Conrad:

the sea-wall there curves for miles in a vast and regular sweep the barren beach of shingle, with the village of Brenzett standing out darkly across the water, a spire in a clump of trees; and still further out the perpendicular column of a lighthouse, look- ing in the distance no bigger than a lead pencil, marks the vanishing-point of the land. The coun- try at the back of Brenzett is low and flat, but the bay is fairly well sheltered from the seas, and occa- sionally a big ship, windbound or through stress of weather, makes use of the anchoring ground a


Amy Foster
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Canyon by Zane Grey:

She was to learn that misery, as well as bliss, can swallow up the hours. She saw the monotony of cedar trees, but with blurred eyes; she saw the ground clearly enough, for she was always looking down, hoping for sandy places or rocky places where her mustang could not trot.

At noon the cavalcade ahead halted near a cabin and corral, which turned out to be a sheep ranch belonging to Hutter. Here Glenn was so busy that he had no time to devote to Carley. And Flo, who was more at home on a horse than on the ground, rode around everywhere with the men. Most assuredly Carley could not pass by the chance to get off Spillbeans and to walk a little. She found, however, that what she wanted most was to rest. The cabin was deserted, a dark, damp place with a rank odor. She did not stay


The Call of the Canyon