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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

nothing, we must go with him," said Tom.

"I s'pose you've got good dogs," said Haley.

"First rate," said Marks. "But what's the use? you han't got nothin' o' hers to smell on."

"Yes, I have," said Haley, triumphantly. "Here's her shawl she left on the bed in her hurry; she left her bonnet, too."

"That ar's lucky," said Loker; "fork over."

"Though the dogs might damage the gal, if they come on her unawars," said Haley.

"That ar's a consideration," said Marks. "Our dogs tore a feller half to pieces, once, down in Mobile, 'fore we could get


Uncle Tom's Cabin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

established, conducted, of course, by code. In the British Army, signalling is both visual and audible. In daylight visual signalling is carried out by means of coloured flags or streamers and smoke-signals, while audible communication is effected by means of a powerful horn working upon the siren principle and similar to those used by automobiles. Both flags and sound-signals, however, are restricted owing to the comparatively short distances over which they can be read with any degree of accuracy. The smoke-signal therefore appears to be the most satisfactory and reliable, as the German airmen have proved conclusively, for the simple reason that the trail of smoke may

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

One of them [to Frank] is love's young dream in any shape or form: the other [to Praed] is the romance and beauty of life, especially Ostend and the gaiety of Brussels. You are welcome to any illusions you may have left on these subjects: I have none. If we three are to remain friends, I must be treated as a woman of business, permanently single [to Frank] and permanently unromantic [to Praed].

FRANK. I also shall remain permanently single until you change your mind. Praddy: change the subject. Be eloquent about something else.

PRAED [diffidently] I'm afraid theres nothing else in the world

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

spontaneously organised in imitation of the Unemployed Processions of earlier times. He had expected a mob but there was a kind of sullen discipline about the procession when at last it arrived. What seemed for a time an unending column of men marched wearily, marched with a kind of implacable futility, along the roadway underneath him. He was, he says, moved to join them, but instead he remained watching. They were a dingy, shabby, ineffective-looking multitude, for the most part incapable of any but obsolete and superseded types of labour. They bore a few banners with the time-honoured inscription: 'Work, not Charity,' but otherwise their ranks were unadorned.


The Last War: A World Set Free