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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

looking reproachfully at the old cat, and speaking in as cross a voice as she could manage--and then she scrambled back into the arm-chair, taking the kitten and the worsted with her, and began winding up the ball again. But she didn't get on very fast, as she was talking all the time, sometimes to the kitten, and sometimes to herself. Kitty sat very demurely on her knee, pretending to watch the progress of the winding, and now and then putting out one paw and gently touching the ball, as if it would be glad to help, if it might.

`Do you know what to-morrow is, Kitty?' Alice began. `You'd have guessed if you'd been up in the window with me--only Dinah


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

for men to do"--that is certainly an imperative different from the Platonic one, but it may notwithstanding be the right imperative for a hardy, laborious race of machinists and bridge- builders of the future, who have nothing but ROUGH work to perform.

15. To study physiology with a clear conscience, one must insist on the fact that the sense-organs are not phenomena in the sense of the idealistic philosophy; as such they certainly could not be causes! Sensualism, therefore, at least as regulative hypothesis, if not as heuristic principle. What? And others say even that the external world is the work of our organs? But then our body, as a


Beyond Good and Evil
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

This consideration, however, was more philosophical in connection with other men's wives. He found very little in it to palliate what he had overheard, submerged in the 'Times of India', that afternoon. And to put an edge on it, the thing had been said by one of his own juniors. Luckily the boy had left the room without discovering who was behind the 'Times of India'. Innes felt that he should be grateful for having been spared the exigency of defending his wife against a flippant word to which she had very probably laid herself open. He was very angry, and it is perhaps not surprising that he did not pause to consider how far his anger was due to the humiliating necessity of speaking to her about it. She was coming

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Woodlanders by Thomas Hardy:

had been given him by a weather-beaten sailor. But Creedle carried about with him on his uneventful rounds these silent testimonies of war, sport, and adventure, and thought nothing of their associations or their stories.

Copse-work, as it was called, being an occupation which the secondary intelligence of the hands and arms could carry on without requiring the sovereign attention of the head, the minds of its professors wandered considerably from the objects before them; hence the tales, chronicles, and ramifications of family history which were recounted here were of a very exhaustive kind, and sometimes so interminable as to defy description.


The Woodlanders