Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac:

were the beginning of Pierrette's troubles. Like all children free to amuse themselves, who are accustomed to follow the dictates of their own lively fancies, she was very hard on her clothes, her shoes, and above all on those embroidered drawers. A mother when she reproves her child thinks only of the child; her voice is gentle; she does not raise it unless driven to extremities, or when the child is much in fault. But here, in this great matter of Pierrette's clothes, the cousins' money was the first consideration; their interests were to be thought of, not the child's. Children have the perceptions of the canine race for the sentiments of those who rule them; they know instinctively whether they are loved or only tolerated. Pure and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville:

silver, full of noble jewels of gold full rich and of precious stones, in token of his lordship and of his noblesse and of his might.

He dwelleth commonly in the city of Susa. And there is his principal palace, that is so rich and so noble, that no man will trow it by estimation, but he had seen it. And above the chief tower of the palace be two round pommels of gold, and in everych of them be two carbuncles great and large, that shine full bright upon the night. And the principal gates of his palace be of precious stone that men clepe sardonyx, and the border and the bars be of ivory. And the windows of the halls and chambers be of crystal.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1984 by George Orwell:

grimy from the contact of human bodies.

O'Brien had a slip of paper between his fingers and seemed to be studying it intently. His heavy face, bent down so that one could see the line of the nose, looked both formidable and intelligent. For perhaps twenty seconds he sat without stirring. Then he pulled the speakwrite towards him and rapped out a message in the hybrid jargon of the Ministries:

'Items one comma five comma seven approved fullwise stop suggestion contained item six doubleplus ridiculous verging crimethink cancel stop unproceed constructionwise antegetting plusfull estimates machinery overheads stop end message.'

He rose deliberately from his chair and came towards them across the

1984

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mucker by Edgar Rice Burroughs:

Here he pushed back the bed which he had drawn over the hole in the floor, dropped his two sacks through into the bank, and tying the brace to one end of the lariat lowered it through after the sacks.

Looping the middle of the lariat over a bedpost Billy grasped both strands firmly and lowered himself through the aperture into the room beneath. He made no more noise in his descent than he had made upon other similar occasions in his past life when he had practiced the gentle art of porch-climbing along Ashland Avenue and Washington Boulevard.

Having gained the floor he pulled upon one end of the

The Mucker