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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A House of Pomegranates by Oscar Wilde:

priests in their stiff copes crept away from the altar.

And suddenly a wild tumult came from the street outside, and in entered the nobles with drawn swords and nodding plumes, and shields of polished steel. 'Where is this dreamer of dreams?' they cried. 'Where is this King who is apparelled like a beggar - this boy who brings shame upon our state? Surely we will slay him, for he is unworthy to rule over us.'

And the young King bowed his head again, and prayed, and when he had finished his prayer he rose up, and turning round he looked at them sadly.

And lo! through the painted windows came the sunlight streaming

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister:

by waiting outside alone until they should return from their devotions. So he seated himself in a corner near the entrance, and after a brief, jaunty glance at the sunburned, shaggy congregation, made himself as comfortable as might be. He had not seen a face worth keeping his eyes open for. The simple choir and simple fold, gathered for even-song, paid him no attention--a rough American bound for the mines was but an object of aversion to them.

The Padre, of course, had been instantly aware of the stranger's presence. To be aware of unaccustomed presences is the sixth sense with vicars of every creed and heresy; and if the parish is lonely and the worshipers few and seldom varying, a newcomer will gleam out like a new

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

presence and transformation did not seem to be all the cause. She could ride without pain, walk without losing her breath, work without blistering her hands; and in this there was compensation. The building of the house that was to become a home, the development of water resources and land that meant the making of a ranch--these did not altogether constitute the anticipation of content. To be active, to accomplish things, to recall to mind her knowledge of manual training, of domestic science, of designing and painting, to learn to cook-these were indeed measures full of reward, but they were not all. In her wondering, pondering meditation she arrived at the point where she tried to assign to her love the growing fullness of her life. This, too, splendid and all-pervading as it was, she had to


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prince Otto by Robert Louis Stevenson:

is the last that you will hear of me in love or anger. I have gone out of your life; you may breathe easy; you have now rid yourself of the husband who allowed you to desert him, of the Prince who gave you his rights, and of the married lover who made it his pride to defend you in your absence. How you have requited him, your own heart more loudly tells you than my words. There is a day coming when your vain dreams will roll away like clouds, and you will find yourself alone. Then you will remember

OTTO.'

She read with a great horror on her mind; that day, of which he wrote, was come. She was alone; she had been false, she had been