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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades II by Platonic Imitator:

all who are senseless are mad. For example, if among persons of your own age or older than yourself there are some who are senseless,--as there certainly are,--they are mad. For tell me, by heaven, do you not think that in the city the wise are few, while the foolish, whom you call mad, are many?

ALCIBIADES: I do.

SOCRATES: But how could we live in safety with so many crazy people? Should we not long since have paid the penalty at their hands, and have been struck and beaten and endured every other form of ill-usage which madmen are wont to inflict? Consider, my dear friend: may it not be quite otherwise?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrong Box by Stevenson & Osbourne:

the whole on a cart, and carry it to the chambers of a young gentleman whom I know by sight.'

'Whom do you know by sight?' repeated Pitman.

'And what is more to the purpose,' continued Michael, 'whose chambers I know better than he does himself. A friend of mine--I call him my friend for brevity; he is now, I understand, in Demerara and (most likely) in gaol--was the previous occupant. I defended him, and I got him off too--all saved but honour; his assets were nil, but he gave me what he had, poor gentleman, and along with the rest--the key of his chambers. It's there that I propose to leave the piano and, shall we say, Cleopatra?'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

from which they descended upon Barsoom at long intervals. Where they visited they wrought the most horrible atrocities, and when they left carried away with them firearms and ammunition, and young girls as prisoners. These latter, the rumour had it, they sacrificed to some terrible god in an orgy which ended in the eating of their victims.

I had an excellent opportunity to examine them, as the strife occasionally brought now one and now another close to where I stood. They were large men, possibly six feet and over in height. Their features were clear cut and handsome in the extreme; their eyes were well set and large, though a


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

party. The mass was too compact to allow him to retrace his steps, and he and his wife were therefore pushed onward to the door by the pressure of the multitude behind them. The husband tried to pass out first, dragging the lady by the arm, but at that instant he was pulled vigorously into the street, and his wife was torn from him by a stranger. The terrible hunchback saw at once that he had fallen into a trap that was cleverly prepared. Repenting himself for having slept, he collected his whole strength, seized his wife once more by the sleeve of her gown, and strove with his other hand to cling to the gate of the church; but the ardor of love carried the day against jealous fury. The young man took his mistress round the waist, and