| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wife, et al by Anton Chekhov: and in the taste of the day. If any one were to undertake to
describe her surroundings, the most characteristic note in the
picture would be indolence. For the indolent body there are soft
lounges, soft stools; for indolent feet soft rugs; for indolent
eyes faded, dingy, or flat colours; for the indolent soul the
walls are hung with a number of cheap fans and trivial pictures,
in which the originality of the execution is more conspicuous
than the subject; and the room contains a multitude of little
tables and shelves filled with utterly useless articles of no
value, and shapeless rags in place of curtains. . . . All this,
together with the dread of bright colours, of symmetry, and of
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alcibiades I by Plato: must she not look at the soul; and especially at that part of the soul in
which her virtue resides, and to any other which is like this?
ALCIBIADES: I agree, Socrates.
SOCRATES: And do we know of any part of our souls more divine than that
which has to do with wisdom and knowledge?
ALCIBIADES: There is none.
SOCRATES: Then this is that part of the soul which resembles the divine;
and he who looks at this and at the whole class of things divine, will be
most likely to know himself?
ALCIBIADES: Clearly.
SOCRATES: And self-knowledge we agree to be wisdom?
|