The first excerpt represents the past or something you must release, and is drawn from The Witch, et. al by Anton Chekhov: propping his head on his fists, fastened his fixed stare upon
him. A childish expression of terror and curiosity gleamed in his
dark eyes, and seemed in the twilight to stretch and flatten out
the large features of his coarse young face. He was listening
intently.
"It is even written in the Scriptures that there are lots of
treasures hidden here," the old man went on; "it is so for sure.
. . and no mistake about it. An old soldier of Novopavlovka was
shown at Ivanovka a writing, and in this writing it was printed
about the place of the treasure and even how many pounds of gold
was in it and the sort of vessel it was in; they would have found
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol: the outskirts of the town; but he sold it, and with the purchase-money
bought a team of brown horses and a little carriage in which he drove
about to stay with the squires. But as the horses were a deal of
trouble and money was required for oats, Anton Prokofievitch bartered
them for a violin and a housemaid, with twenty-five paper rubles to
boot. Afterwards Anton Prokofievitch sold the violin, and exchanged
the girl for a morocco and gold tobacco-pouch; now he has such a
tobacco-pouch as no one else has. As a result of this luxury, he can
no longer go about among the country houses, but has to remain in the
town and pass the night at different houses, especially of those
gentlemen who take pleasure in tapping him on the nose. Anton
 Taras Bulba and Other Tales |
The third excerpt represents the future or something you must embrace, and is drawn from The Ruling Passion by Henry van Dyke: leaned against the gate-post. The road was quite empty, the night
already dark. He could feel her warm breath on his neck as she
laughed.
"If you! If I! If what? Why so many ifs in this fine speech? Of
whom is the wedding for which this new carriage is to be bought? Do
you know what Raoul Vaillantcoeur has said? 'No more wedding in
this parish till I have thrown the little Prosper over my
shoulder!'"
As she said this, laughing, she turned closer to the fence and
looked up, so that a curl on her forehead brushed against his cheek.
"BATECHE! Who told you he said that?"
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