Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

its parterres of sponges, and its forests of coral? Did you catch a glimpse of the towns on its borders?"

"Yes, Captain Nemo," I replied; "and the Nautilus is wonderfully fitted for such a study. Ah! it is an intelligent boat!"

"Yes, sir, intelligent and invulnerable. It fears neither the terrible tempests of the Red Sea, nor its currents, nor its sandbanks."

"Certainly," said I, "this sea is quoted as one of the worst, and in the time of the ancients, if I am not mistaken, its reputation was detestable."

"Detestable, M. Aronnax. The Greek and Latin historians

20,000 Leagues Under the Sea

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

captain. She was sitting in the first row of the stalls beside her papa; she was ecstatic and could not take her eyes off the stage even between the acts. Her delicate little hands and feet were quivering, her eyes were full of tears, her cheeks turned paler and paler. And no wonder -- she was at the theatre for the first time in her life.

"How well they act! how splendidly!" she said to her papa the police captain, every time the curtain fell. How good Fenogenov is!"

And if her papa had been capable of reading faces he would have read on his daughter's pale little countenance a rapture that was

The Schoolmistress and Other Stories

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato:

general considerations which equally affect all evidence to the genuineness of ancient writings are the following: Shorter works are more likely to have been forged, or to have received an erroneous designation, than longer ones; and some kinds of composition, such as epistles or panegyrical orations, are more liable to suspicion than others; those, again, which have a taste of sophistry in them, or the ring of a later age, or the slighter character of a rhetorical exercise, or in which a motive or some affinity to spurious writings can be detected, or which seem to have originated in a name or statement really occurring in some classical author, are also of doubtful credit; while there is no instance of any ancient writing proved to be a forgery, which combines excellence with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Andes by Rex Stout:

had left his post and started toward me, but I waved him back.

"All right here, Hal: have they given it up?"

There was an expression of the most profound disgust on his face.

"Paul, it's rank butchery. I'm wading in blood. Will this thing never stop?"

I looked at him and said merely: "Yes."

No need to ask when; he understood me; he sent me the glance of a man who has become too familiar with death to fear it, and answered:

"Another hour of this, and--I'm ready."