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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prufrock/Other Observations by T. S. Eliot:

And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep ... tired ... or it malingers, Stretched on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet--and here’s no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker,


Prufrock/Other Observations
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato:

earnestly beseech and advise you to detain Laches and Nicias, and question them. I would have you say to them: Socrates avers that he has no knowledge of the matter--he is unable to decide which of you speaks truly; neither discoverer nor student is he of anything of the kind. But you, Laches and Nicias, should each of you tell us who is the most skilful educator whom you have ever known; and whether you invented the art yourselves, or learned of another; and if you learned, who were your respective teachers, and who were their brothers in the art; and then, if you are too much occupied in politics to teach us yourselves, let us go to them, and present them with gifts, or make interest with them, or both, in the hope that they may be induced to take charge of our children and of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

Carried away by this ill-timed mania, I neglected my studies to compose poems, which certainly can have shown no great promise, to judge by a line of too many feet which became famous among my companions--the beginning of an epic on the Incas:

"O Inca! O roi infortune et malheureux!"

In derision of such attempts, I was nicknamed the Poet, but mockery did not cure me. I was always rhyming, in spite of good advice from Monsieur Mareschal, the headmaster, who tried to cure me of an unfortunately inveterate passion by telling me the fable of a linnet that fell out of the nest because it tried to fly before its wings were grown. I persisted in my reading; I became the least emulous, the


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac:

crucifixes of the Spaniards who passed through the town?'

" 'No, monsieur.'

" 'Very good; thank you,' said he, flashing a tiger's glare at his wife. 'Jean,' he added, turning to his confidential valet, 'you can serve my meals here in Madame de Merret's room. She is ill, and I shall not leave her till she recovers.'

"The cruel man remained in his wife's room for twenty days. During the earlier time, when there was some little noise in the closet, and Josephine wanted to intercede for the dying man, he said, without allowing her to utter a word, 'You swore on the Cross that there was no one there.' "


La Grande Breteche