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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

felt a new stirring, a new nakedness emerging. And she was half afraid. Half she wished he would not caress her so. He was encompassing her somehow. Yet she was waiting, waiting.

And when he came into her, with an intensification of relief and consummation that was pure peace to him, still she was waiting. She felt herself a little left out. And she knew, partly it was her own fault. She willed herself into this separateness. Now perhaps she was condemned to it. She lay still, feeling his motion within her, his deep-sunk intentness, the sudden quiver of him at the springing of his seed, then the slow-subsiding thrust. That thrust of the buttocks, surely it was a little ridiculous. If you were a woman, and a part in


Lady Chatterley's Lover
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of Man by Oscar Wilde:

painted many religious pictures - in fact, they painted far too many, and the monotony of type and motive is wearisome, and was bad for art. It was the result of the authority of the public in art- matters, and is to be deplored. But their soul was not in the subject. Raphael was a great artist when he painted his portrait of the Pope. When he painted his Madonnas and infant Christs, he is not a great artist at all. Christ had no message for the Renaissance, which was wonderful because it brought an ideal at variance with his, and to find the presentation of the real Christ we must go to mediaeval art. There he is one maimed and marred; one who is not comely to look on, because Beauty is a joy; one who

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mother by Owen Wister:

read the papers now,' she explained, 'morning and evening. Of course the market is off a little on account of the bank statement. But that is not enough to account for the Petunias.'"

"'Ethel, you are nervous,' I said. 'And it is the papers which make you so. The Petunias are a first lien on the whole property, of which the assessed valuation--'"

"'What is the good,' she interrupted, 'of a first lien on something which depends on politics for its existence, if the politicians change their minds? Did you not see that bill they're thinking of passing?' I was startled by what Ethel told me, for the article in the paper had escaped my notice. But Mr. Beverly explained it to me in a couple of minutes.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Island of Doctor Moreau by H. G. Wells:

peculiarly furtive manner, quite unlike the frank stare of your unsophisticated savage. Indeed, they had all seemed remarkably taciturn, and when they did speak, endowed with very uncanny voices. What was wrong with them? Then I recalled the eyes of Montgomery's ungainly attendant.

Just as I was thinking of him he came in. He was now dressed in white, and carried a little tray with some coffee and boiled vegetables thereon. I could hardly repress a shuddering recoil as he came, bending amiably, and placed the tray before me on the table. Then astonishment paralysed me. Under his stringy black locks I saw his ear; it jumped upon me suddenly close to my face. The man had pointed ears,


The Island of Doctor Moreau