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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

[17] Or, "are the more ready to cringe." See, for the word {uperkhontai}, "Pol. Lac." viii. 2; Plat. "Crit." 53 E; Rutherford, "New Phrynichus," p. 110.

[18] Or, "by the minority"; or, "by a handful of people."

[19] As they did during the Peloponnesian war; and earlier still, before the battle of Salamis, in the case of that one island.

[20] Or, "but mean the forfeiture of others."

Further, states oligarchically governed are forced to ratify their alliances and solemn oaths, and if they fail to abide by their contracts, the offence, by whomsoever committed,[21] lies nominally at the door of the oligarchs who entered upon the contract. But in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Men of Iron by Howard Pyle:

enthusiasm of the three recruits rose higher and higher. They rummaged through the lumber pile in the great circular room as Myles and Gascoyne had done, and at last, tired out, they ascended to the airy chapel, and there sat cooling themselves in the rustling freshness of the breeze that came blowing briskly in through the arched windows.

It was then and there that the five discussed and finally determined upon the detailed plans of their organization, canvassing the names of the squirehood, and selecting from it a sufficient number of bold and daring spirits to make up a roll of twenty names in all.


Men of Iron
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

our story. The subtle, satirical, epigrammatic tale-telling spirit stamped on every page of Rabelais is the faithful expression of the Tourangian mind,--a mind polished and refined as it should be in a land where the kings of France long held their court; ardent, artistic, poetic, voluptuous, yet whose first impulses subside quickly. The softness of the atmosphere, the beauty of the climate, a certain ease of life and joviality of manners, smother before long the sentiment of art, narrow the widest heart, and enervate the strongest will. Transplant the Tourangian, and his fine qualities develop and lead to great results, as we may see in many spheres of action: look at Rabelais and Semblancay, Plantin the printer and Descartes,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

and Mr. Hamilton returning from the barn; and after talking awhile, they all walked up to the kitchen door. There was no one in the kitchen but myself and John. Henry and Sandy were up at the barn. Mr. Freeland put his head in at the door, and called me by name, saying, there were some gentle- men at the door who wished to see me. I stepped to the door, and inquired what they wanted. They at once seized me, and, without giving me any satis- faction, tied me--lashing my hands closely together. I insisted upon knowing what the matter was. They


The Narrative of the Life of Frederick Douglass: An American Slave