The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Blue Flower by Henry van Dyke: about to the north just beyond the edge of the mountain, and
in that direction I turned, pushing forward as rapidly as
possible through the undergrowth.
Presently I came into a region where the trees were larger
and the travelling was easier. It was not a primeval forest,
but a second growth of chestnuts and poplars and maples.
Through the woods there ran at intervals long lines of broken
rock, covered with moss--the ruins, evidently, of ancient
stone fences. The land must have been, in former days, a
farm, inhabited, cultivated, the home of human
hopes and desires and labours, but now relapsed into solitude
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey: recognized the foremost one--small, compact, gaudy. Rojas!
The bandit's arm was outstretched. Puffs of white smoke
rose, and shots rapped out. When Ladd went down Rojas
threw his gun aside and with a wild yell bounded over the lava.
His companion followed.
A tide of passion, first hot as fire, then cold as ice, rushed over
Gale when he saw Rojas take the trail toward Mercedes's
hiding-place. The little bandit appeared to have the
sure-footedness of a mountain sheep. The Mexican following
was not so sure or fast. He turned back. Gale heard the trenchant
bark of the .405. Ladd was kneeling. He shot again--again. The
Desert Gold |