Today's Stichomancy for W. C. Fields
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Apology by Xenophon: is just a suspicion of foolhardiness in the arrogancy of his
address.[5] We have, however, from the lips of one of his intimate
acquaintances, Hermogenes,[6] the son of Hipponicus, an account of him
which shows the high demeanour in question to have been altogether in
keeping with the master's rational purpose.[7] Hermogenes says that,
seeing Socrates discoursing on every topic rather than that of his
impending trial, he roundly put it to him whether he ought not to be
debating the line of his defence, to which Socrates in the first
instance answered: "What! do I not seem to you to have spent my whole
life in meditating my defence?" And when Hermogenes asked him, "How?"
he added: "By a lifelong persistence in doing nothing wrong, and that
 The Apology |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson: he listened to my prattle indulgently enough, but with an
abstracted air, like a spirit with a thing of clay. And truly,
when I remember that I descanted principally on my appetite, and
that it must have been by that time more than eighteen hours since
Father Michael had so much as broken bread, I can well understand
that he would find an earthly savour in my conversation. But his
manner, though superior, was exquisitely gracious; and I find I
have a lurking curiosity as to Father Michael's past.
The whet administered, I was left alone for a little in the
monastery garden. This is no more than the main court, laid out in
sandy paths and beds of parti-coloured dahlias, and with a fountain
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson: transformation of the visible body, lies in wait for him
outwardly in a thousand accidents, and grows up in secret
diseases from within. He is still learning to be a man when
his faculties are already beginning to decline; he has not
yet understood himself or his position before he inevitably
dies. And yet this mad, chimerical creature can take no
thought of his last end, lives as though he were eternal,
plunges with his vulnerable body into the shock of war, and
daily affronts death with unconcern. He cannot take a step
without pain or pleasure. His life is a tissue of
sensations, which he distinguishes as they seem to come more
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad: But still, now and again, an afternoon thunderstorm over Banka, or
even one of these vicious thick squalls, from the distant Sumatra
coast, would make a sudden sally upon the group, enveloping it for
a couple of hours in whirlwinds and bluish-black murk of a
particularly sinister aspect. Then, with the lowered rattan-
screens rattling desperately in the wind and the bungalow shaking
all over, Freya would sit down to the piano and play fierce Wagner
music in the flicker of blinding flashes, with thunderbolts falling
all round, enough to make your hair stand on end; and Jasper would
remain stock still on the verandah, adoring the back view of her
supple, swaying figure, the miraculous sheen of her fair head, the
 'Twixt Land & Sea |
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