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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Village Rector by Honore de Balzac:

stable, a small poultry-yard and all the picturesque and living accessories of poor homes, which have so much of rural poesy about them. Who could see without emotion the linen fluttering on the hedges, the bunches of onions hanging from the eaves, the iron saucepans drying in the sun, the wooden bench overhung with honeysuckle, the stone-crop clinging to the thatch, as it does on the roofs of nearly all the cottages in France, revealing a humble life that is almost vegetative?

It was impossible for Veronique to come upon her keeper without his receiving due notice; two fine hunting dogs began to bark as soon as the rustling of her habit was heard on the dried leaves. She took the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Persuasion by Jane Austen:

of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention


Persuasion
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To the Lighthouse by Virginia Woolf:

his post, the fine figure of a soldier? Mr Ramsay squared his shoulders and stood very upright by the urn.

Who shall blame him, if, so standing for a moment he dwells upon fame, upon search parties, upon cairns raised by grateful followers over his bones? Finally, who shall blame the leader of the doomed expedition, if, having adventured to the uttermost, and used his strength wholly to the last ounce and fallen asleep not much caring if he wakes or not, he now perceives by some pricking in his toes that he lives, and does not on the whole object to live, but requires sympathy, and whisky, and some one to tell the story of his suffering to at once? Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by


To the Lighthouse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Children of the Night by Edwin Arlington Robinson:

For Amaryllis." There was in the tone Of his complaint such quaver and such moan That I took pity on him and obeyed, And long stood looking where his hands had laid An ancient woman, shrunk to skin and bone.

Far out beyond the forest I could hear The calling of loud progress, and the bold Incessant scream of commerce ringing clear; But though the trumpets of the world were glad, It made me lonely and it made me sad To think that Amaryllis had grown old.