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Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Wild by Jack London:

as though he had been asleep.

It was a hard trip, with the mail behind them, and the heavy work wore them down. They were short of weight and in poor condition when they made Dawson, and should have had a ten days' or a week's rest at least. But in two days' time they dropped down the Yukon bank from the Barracks, loaded with letters for the outside. The dogs were tired, the drivers grumbling, and to make matters worse, it snowed every day. This meant a soft trail, greater friction on the runners, and heavier pulling for the dogs; yet the drivers were fair through it all, and did their best for the animals.

Each night the dogs were attended to first. They ate before the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Riverman by Stewart Edward White:

"And you?" asked Carroll.

"Oh, I," he shrugged, "will go on as usual. I have my interests."

"I wish you would come out in our part of the country," ventured Orde.

Gerald smiled his fine smile.

"Good-bye," said he. "Going to a train is useless, and a bore to everybody."

Carroll threw herself on his neck in an access of passionate weeping.

"You WILL write and tell me of everything, won't you?" she begged.

"Of course. There now, good-bye."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

paper gets to work!...... It's a pleasant old palace, this is; I wonder if we shall ever again -- but never mind about that."

CHAPTER XLIII. THE BATTLE OF THE SAND BELT

IN Merlin's Cave -- Clarence and I and fifty-two fresh, bright, well-educated, clean-minded young British boys. At dawn I sent an order to the factories and to all our great works to stop operations and re- move all life to a safe distance, as everything was going to be blown up by secret mines, "AND NO TELLING


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

sparkling eyes of the rowers, the play of the tense muscles, the physical and mental forces that were being exerted to bring them for a trifling toll across the channel. So far from pitying the rowers' distress, they pointed out the men's faces to each other, and laughed at the grotesque expressions on the faces of the crew who were straining every muscle; but in the fore part of the boat the soldier, the peasant, and the old beggar woman watched the sailors with the sympathy naturally felt by toilers who live by the sweat of their brow and know the rough struggle, the strenuous excitement of effort. These folk, moreover, whose lives were spent in the open air, had all seen the warnings of danger in the sky, and their faces were grave. The