| The first excerpt represents the past or something you must release, and is drawn from The Kreutzer Sonata by Leo Tolstoy: ground the gristle of the cutlets, and how eagerly he emptied the
glass of wine with his red lips), was careful of his person, well
fed, and not only without principles, but evidently with the
principle that one should take advantage of the pleasure that
offers itself. There was a bond between them, music,--the most
refined form of sensual voluptuousness. What was there to
restrain them? Nothing. Everything, on the contrary, attracted
them. And she, she had been and had remained a mystery. I did
not know her. I knew her only as an animal, and an animal
nothing can or should restrain. And now I remember their faces
on Sunday evening, when, after the 'Kreutzer Sonata,' they played
 The Kreutzer Sonata |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Spirit of the Border by Zane Grey: had been impossible to obtain any news in regard to Zeisberger.
The missionaries were now thoroughly alarmed, and knew not what to do. They
concealed the real state of affairs from Nell and her uncle, desiring to keep
them from anxiety as long as possible. That night the three teachers went to
bed with heavy hearts.
The following morning at daybreak, Jim was awakened from a sound sleep by some
one calling at his window. He got up to learn who it was, and, in the gray
light, saw Edwards standing outside.
"What's the matter?" questioned Jim, hurriedly.
"Matter enough. Hurry. Get into your clothes," replied Edwards. "As soon as
you are dressed, quietly awaken Mr. Wells and Nellie, but do not frighten
 The Spirit of the Border |
The third excerpt represents the future or something you must embrace, and is drawn from Lady Windermere's Fan by Oscar Wilde: LADY WINDERMERE. Good-bye? [Moves towards sofa with MRS. ERLYNNE
and sits down beside her.] Are you going away, then, Mrs. Erlynne?
MRS. ERLYNNE. Yes; I am going to live abroad again. The English
climate doesn't suit me. My - heart is affected here, and that I
don't like. I prefer living in the south. London is too full of
fogs and - and serious people, Lord Windermere. Whether the fogs
produce the serious people or whether the serious people produce
the fogs, I don't know, but the whole thing rather gets on my
nerves, and so I'm leaving this afternoon by the Club Train.
LADY WINDERMERE. This afternoon? But I wanted so much to come and
see you.
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