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Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Christ in Flanders by Honore de Balzac:

sight, the strong faith of a helpless woman, a mother's faith. She lived by that divine promise, the loving words from his lips; the simple creature waited trustingly for them to be fulfilled, and scarcely feared the danger any longer.

The soldier, holding fast to the vessel's side, never took his eyes off the strange visitor. He copied on his own rough and swarthy features the imperturbability of the other's face, applying to this task the whole strength of a will and intelligence but little corrupted in the course of a life of mechanical and passive obedience. So emulous was he of a calm and tranquil courage greater than his own, that at last, perhaps unconsciously, something of that mysterious

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Extracts From Adam's Diary by Mark Twain:

in a highly developed degree. I shall be astonished if it turns out to be a new kind of parrot, and yet I ought not to be astonished, for it has already been everything else it could think of, since those first days when it was a fish. The new one is as ugly now as the old one was at first; has the same sulphur-and-raw-meat complexion and the same singular head without any fur on it. She calls it Abel.

Ten Years Later

They are boys; we found it out long ago. It was their coming in that small, immature shape that puzzled us; we were not used to it. There are some girls now. Abel is a good boy, but if Cain had

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jane Eyre by Charlotte Bronte:

your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and


Jane Eyre
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

that vile lad to head them off on idle divagations, for five they would have smiled and stumbled through the woods.

However, we came forth at length, and as by accident, upon a lawn, sparse planted like an orchard, but with forest instead of fruit trees. That was the site of Silverado mining town. A piece of ground was levelled up, where Kelmar's store had been; and facing that we saw Rufe Hanson's house, still bearing on its front the legend SILVERADO HOTEL. Not another sign of habitation. Silverado town had all been carted from the scene; one of the houses was now the school-house far down the road; one was gone here, one there, but all were