| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Study of a Woman by Honore de Balzac: chiefly, his defects. He is ardent, but he laughs at ardor; he has
talent, and he hides it; he plays the learned man with aristocrats,
and the aristocrat with learned men. Eugene de Rastignac is one of
those extremely clever young men who try all things, and seem to sound
others to discover what the future has in store. While awaiting the
age of ambition, he scoffs at everything; he has grace and
originality, two rare qualities because the one is apt to exclude the
other. On this occasion he talked for nearly half an hour with madame
de Listomere, without any predetermined idea of pleasing her. As they
followed the caprices of conversation, which, beginning with the opera
of "Guillaume Tell," had reached the topic of the duties of women, he
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Devil's Dictionary by Ambrose Bierce: With a rattle and bang
Of his bones, he sprang
From his famous Pale Horse, with his spear;
By the neck and the foot
Seized the fellow, and put
Him astride with his face to the rear.
The Monarch laughed loud with a sound that fell
Like clods on the coffin's sounding shell:
"Ho, ho! A beggar on horseback, they say,
Will ride to the devil!" -- and _thump_
Fell the flat of his dart on the rump
 The Devil's Dictionary |