Today's Stichomancy for Will Wright

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Arrow by Robert Louis Stevenson:

experienced cook. At length, apparently, he judged the mess was ready; for taking the horn from his girdle, he blew three modulated calls.

The other fellow awoke, rolled over, brushed away the butterfly, and looked about him.

"How now, brother?" he said. "Dinner?"

"Ay, sot," replied the cook, "dinner it is, and a dry dinner, too, with neither ale nor bread. But there is little pleasure in the greenwood now; time was when a good fellow could live here like a mitred abbot, set aside the rain and the white frosts; he had his heart's desire both of ale and wine. But now are men's spirits

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

would be worrying and fussing about who did it."

Varna rubbed his hands gleefully. He did not look the least bit malicious but only very much amused. The doctor groaned. Gyuri's great body trembled, his arms shook, but he did not make a single voluntary movement. He saw the revolver in Muller's hand and felt the keen grey eyes resting on him in pitiless calm.

"And now tell us about the pastor?" said the detective in a firm clear voice.

"Oh, he was a dear, good gentleman," said No. 302 with an expression of pitying sorrow on his face. "I owed him much gratitude; that's why I put the roses in his hand."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

He then throws a stick about fifteen inches long at the block to drive it out of the square. If he fails, the one who placed the block takes the stick, and another places the block for him. If he succeeds he has the privilege of striking the block three times as follows: He first strikes it perpendicularly, which causes it to bound up two or three feet, when he hits it as one would hit a ball, driving it as far as possible. This he repeats three times, and if he succeeds in driving it the distance agreed upon, which may be 20, 50, 200, 300, 500 or more feet, he wins the game. If not he brings back the block and tries again, continuing

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

me. The most charming of all Shakespear's old women, indeed the most charming of all his women, young or old, is the Countess of Rousillon in All's Well That Ends Well. It has a certain individuality among them which suggests a portrait. Mr Harris will have it that all Shakespear's nice old women are drawn from his beloved mother; but I see no evidence whatever that Shakespear's mother was a particularly nice woman or that he was particularly fond of her. That she was a simple incarnation of extravagant maternal pride like the mother of Coriolanus in Plutarch, as Mr Harris asserts, I cannot believe: she is quite as likely to have borne her son a grudge for becoming "one of these harlotry players" and disgracing the Ardens. Anyhow, as a