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Today's Stichomancy for William Gibson

The first excerpt represents the past or something you must release, and is drawn from Fisherman's Luck by Henry van Dyke:

University of Edinburgh held the chair of Moral Philosophy in that institution, but his true fame rests on his well-earned titles of A. M. and F. R. S.,--Master of Angling, and Fisherman Royal of Scotland. His RECREATIONS OF CHRISTOPHER NORTH, albeit their humour is sometimes too boisterously hammered in, are genial and generous essays, overflowing with passages of good-fellowship and pedestrian fancy. I would recommend any person in a dry and melancholy state of mind to read his paper on "Streams," in the first volume of ESSAYS CRITICAL AND IMAGINATIVE. But it must be said, by way of warning to those with whom dryness is a matter of principle, that all Scotch fishing-books are likely to be sprinkled with Highland

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Massimilla Doni by Honore de Balzac:

intellectual not to learn to love it and cultivate it, and to succeed in that as in everything else. Also, it must be acknowledged that music, as created by Lulli, Rameau, Haydn, Mozart, Beethoven, Cimarosa, Paisiello, and Rossini, and as it will be carried on by the great geniuses of the future, is a new art, unknown to former generations; they had indeed no such variety of instruments on which the flowers of melody now blossom as on some rich soil.

"So novel an art demands study in the public, study of a kind that may develop the feelings to which music appeals. That sentiment hardly exists as yet among you--a nation given up to philosophical theories, to analysis and discussion, and always torn by civil disturbances.

The third excerpt represents the future or something you must embrace, and is drawn from Tom Sawyer Abroad by Mark Twain:

standing sober and thinking. Next, the sun come a- blazing up gay and splendid, and then we began to feel rusty and stretchy, and first we knowed we was all asleep.

CHAPTER III. TOM EXPLAINS

WE went to sleep about four o'clock, and woke up about eight. The professor was setting back there at his end, looking glum. He pitched us some breakfast, but he told us not to come abaft the midship compass. That was about the middle of the boat.