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Today's Stichomancy for William Randolph Hearst

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

with Death coming in a good third on the top of the very next smooth swell, for all one knew to the contrary. The scuppers of the brig gurgled softly all together when the water rising against her sides subsided sleepily with a low wash, as if playing about an immovable rock. Her bulwarks were gone fore and aft, and one saw her bare deck low-lying like a raft and swept clean of boats, spars, houses - of everything except the ringbolts and the heads of the pumps. I had one dismal glimpse of it as I braced myself up to receive upon my breast the last man to leave her, the captain, who literally let himself fall into my arms.

It had been a weirdly silent rescue - a rescue without a hail,


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Three Taverns by Edwin Arlington Robinson:

Salvation centred and endured? Your Norcross May have been one for many to have envied."

"Salvation? Fortune? Would the worm say that? He might; and therefore I dismiss the worm With all dry things but one. Figures away, Do you begin to see this man a little? Do you begin to see him in the air, With all the vacant horrors of his outline For you to fill with more than it will hold? If so, you needn't crown yourself at once With epic laurel if you seem to fill it.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

than could have been contained in the largest gourd.

So far we got, and no farther, in the transportation of supplies during the years I lived with the Folk. It never entered anybody's head to weave a basket out of willow-withes. Sometimes the men and women tied tough vines about the bundles of ferns and branches that they carried to the caves to sleep upon. Possibly in ten or twenty generations we might have worked up to the weaving of baskets. And of this, one thing is sure: if once we wove withes into baskets, the next and inevitable step would have been the weaving of cloth.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

rose-colored taffeta, and set off with a fringe of poppy-color and black. Six silver-gilt arms, each supporting two candles, were attached to the tapestry at an equal distance, to illuminate the divan. The ceiling, from the middle of which a lustre of unpolished silver hung, was of a brilliant whiteness, and the cornice was gilded. The carpet was like an Oriental shawl; it had the designs and recalled the poetry of Persia, where the hands of slaves had worked on it. The furniture was covered in white cashmere, relieved by black and poppy- colored ornaments. The clock, the candelabra, all were in white marble and gold. The only table there had a cloth of cashmere. Elegant flower-pots held roses of every kind, flowers white or red. In fine,


The Girl with the Golden Eyes