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Today's Stichomancy for William Randolph Hearst

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rinkitink In Oz by L. Frank Baum:

scales that covered its body grew thicker and harder and its jaws grew wider and its teeth grew sharper and its appetite grew more keen than ever.

In former ages there had been many dragons in Regos, but Choggenmugger was so fond of dragons that he had eaten all of them long ago. There had also been great serpents and crocodiles in the forest marshes, but all had gone to feed the hunger of Choggenmugger. The people of Regos knew well there was no use opposing the Great Beast, so when one unfortunately met with it he gave himself up for lost.


Rinkitink In Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Somebody's Little Girl by Martha Young:

soft, and brown.

And it was Sister Justina, and not Sister Helen Vincula, who had told her to be ashamed when she had cried: Pretty! Pretty! Pretty! as the something green, and blue, and soft, and brown was waved to and fro in front of her until she seized it and buried her little face in it for the joy--of remembering--

So Sister Helen Vincula did not know, and Bessie Bell did not remember, while the lady talked.

Only long after, when Bessie Bell grew much larger, it happened that whenever she saw an old-fashioned peacock-feather-fly-brush--at first, just for a second, she felt very glad; and then, just for a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pupil by Henry James:

troupe? Why they're altogether delightful; and if it weren't for the hitch that you and I (feeble performers!) make in the ensemble they'd carry everything before them."

What the boy couldn't get over was the fact that this particular blight seemed, in a tradition of self-respect, so undeserved and so arbitrary. No doubt people had a right to take the line they liked; but why should his people have liked the line of pushing and toadying and lying and cheating? What had their forefathers - all decent folk, so far as he knew - done to them, or what had he done to them? Who had poisoned their blood with the fifth-rate social ideal, the fixed idea of making smart acquaintances and getting

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beauty and The Beast by Bayard Taylor:

growth of enormous, sickly toad-stools, supposed to be clouds. On the stage stood a girl of eighteen, (the handsomest in Kinesma), in hoops and satin petticoat, powdered hair, patches, and high-heeled shoes. She held a fan in one hand, and a bunch of marigolds in the other. After a deep and graceful curtsy to the company, she came forward and said,--

"I am the goddess Venus. I have come to Olympus to ask some questions of Jupiter."

Thunder was heard, and a car rolled upon the stage. Jupiter sat therein, in a blue coat, yellow vest, ruffled shirt and three- cornered hat. One hand held a bunch of thunderbolts, which he