| The first excerpt represents the past or something you must release, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri: Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente.
Virgil reproaches Dante's Pity. Mantua's Foundation.
XXI. The Fifth Bolgia: Peculators. The Elder of Santa Zita.
Malacoda and other Devils.
XXII. Ciampolo, Friar Gomita, and Michael Zanche.
The Malabranche quarrel.
XXIII. Escape from the Malabranche. The Sixth Bolgia: Hypocrites.
Catalano and Loderingo. Caiaphas.
XXIV. The Seventh Bolgia: Thieves. Vanni Fucci. Serpents.
XXV. Vanni Fucci's Punishment. Agnello Brunelleschi,
Buoso degli Abati, Puccio Sciancato, Cianfa de' Donati,
The Divine Comedy (translated by Henry Wadsworth Longfellow) |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: to go to the city on business to-morrow and can't get back until
Thursday. I was coming over to-night to call on you, but I have
a man coming to the inn this evening--he called me up on the
telephone just now--one of the men who have taken my place in the
business; and as long as I have met you I will just walk along
with you, and come Thursday. I suppose the baby won't be likely
to wake up just yet, and when he does you'll have to get his
supper and put him to bed. Is that the way the rule goes?"
Eudora nodded in a shamed, speechless sort of way.
"All right. I'll come Thursday -but say, look here, Eudora.
This is a quiet road, not a soul in sight, just like an outdoor
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The third excerpt represents the future or something you must embrace, and is drawn from The Mayflower Compact: All of the original Project Gutenberg Etexts from the
1970's were produced in ALL CAPS, no lower case. The
computers we used then didn't have lower case at all.
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These original Project Gutenberg Etexts will be compiled into a
file
containing them all, in order to improve the content ratios of
Etext
to header material.
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