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Today's Stichomancy for William Shakespeare

The first excerpt represents the past or something you must release, and is drawn from The Communist Manifesto by Karl Marx:

mountebank fashion, meanwhile gradually lost its pedantic innocence.

The fight of the German, and especially, of the Prussian bourgeoisie, against feudal aristocracy and absolute monarchy, in other words, the liberal movement, became more earnest.

By this, the long wished-for opportunity was offered to "True" Socialism of confronting the political movement with the Socialist demands, of hurling the traditional anathemas against liberalism, against representative government, against bourgeois competition, bourgeois freedom of the press, bourgeois


The Communist Manifesto
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams by Olive Schreiner:

the ages have come, and the ages have gone, but the band of Inevitable Necessity has not been cut."

And I looked and saw in her eyes the terrible patience of the centuries; the ground was wet with her tears, and her nostrils blew up the sand.

And I said, "Has she ever tried to move?"

And he said, "Sometimes a limb has quivered. But she is wise; she knows she cannot rise with the burden on her."

And I said, "Why does not he who stands by her leave her and go on?"

And he said, "He cannot. Look--"

And I saw a broad band passing along the ground from one to the other, and it bound them together.

The third excerpt represents the future or something you must embrace, and is drawn from Poems by T. S. Eliot:

I feel immeasurably at peace, and find the world To be wonderful and youthful, after all."

The voice returns like the insistent out-of-tune Of a broken violin on an August afternoon: "I am always sure that you understand My feelings, always sure that you feel, Sure that across the gulf you reach your hand.

You are invulnerable, you have no Achilles' heel. You will go on, and when you have prevailed You can say: at this point many a one has failed.

But what have I, but what have I, my friend,