| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson: And chose him a shining hook, (5) and viewed it with sedulous eye,
And breathed and burnished it well on the brawn of his naked thigh,
And set a mat for the gull, and bade him be merry and bide,
Like a man concerned for his guest, and the fishing, and nothing beside.
Now when Rahero was forth, he paused and hearkened, and heard
The gull jest in the house and the women laugh at his word;
And stealthily crossed to the side of the way, to the shady place
Where the basket hung on a mango; and craft transfigured his face.
Deftly he opened the basket, and took of the fat of the fish,
The cut of kings and chieftains, enough for a goodly dish.
This he wrapped in a leaf, set on the fire to cook
 Ballads |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from God The Invisible King by H. G. Wells: creed upon which all the existing Christian churches are based, was
one of the most disastrous and one of the least venerable of all
religious gatherings, and he holds that the Alexandrine speculations
which were then conclusively imposed upon Christianity merit only
disrespectful attention at the present time. There you have a chief
possibility of offence. He is quite unable to pretend any awe for
what he considers the spiritual monstrosities established by that
undignified gathering. He makes no attempt to be obscure or
propitiatory in this connection. He criticises the creeds
explicitly and frankly, because he believes it is particularly
necessary to clear them out of the way of those who are seeking
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