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Today's Stichomancy for Yasser Arafat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson:

One tittle of the things that are, Nor you should change nor I - One pebble in our path - one star In all our heaven of sky.

Our lives, and every day and hour, One symphony appear: One road, one garden - every flower And every bramble dear.

XI

I WILL make you brooches and toys for your delight Of bird-song at morning and star-shine at night.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Middlemarch by George Eliot:

that Mr. Casaubon should think her handwriting bad and illegible. She piqued herself on writing a hand in which each letter was distinguishable without any large range of conjecture, and she meant to make much use of this accomplishment, to save Mr. Casaubon's eyes. Three times she wrote.

MY DEAR MR. CASAUBON,--I am very grateful to you for loving me, and thinking me worthy to be your wife. I can look forward to no better happiness than that which would be one with yours. If I said more, it would only be the same thing written out at greater length, for I cannot now dwell on any other thought than that I may be through life


Middlemarch
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

help regarding as an injury."

"Of course!" and Gordon, dropping his interested eyes, stared for some moments at the carpet. "But it is n't true, then, that you discovered her to be a coquette?"

"Ah, that 's another matter."

"You did discover it all the same?"

"Since you want the whole truth--I did!"

"How did you discover it?" Gordon asked, clinging to his right of interrogation.

Bernard hesitated.

"You must remember that I saw a great deal of her."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Damnation of Theron Ware by Harold Frederic:

and, besides, the organ is too heavy and severe for an invalid. It would overwhelm you tonight."

"Not as you would know how to play it for me," urged Theron, pensively. "I feel as if good music to-night would make me well again. I am really very ill and weak-- and unhappy!"

The girl seemed moved by the despairing note in his voice. She invited him by a sympathetic gesture to lean even more directly on her arm.

"Come home with me, and I'll play Chopin to you," she said, in compassionate friendliness. "He is the real medicine


The Damnation of Theron Ware