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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Under the Andes by Rex Stout:

royal.

Several blazing urns attached to the walls furnished the light, wavering but brilliant. There were tables and rude seats, fashioned from the same prismatic stones which covered the column in the lake, and from their surfaces a thousand points of color shone dazzlingly.

At one side was a long slab of granite covered with the skins of some animal, dry, thick, and soft. The walls themselves were of the hardest granite, studded to a height of four or five feet with tiny, innumerable spots of gold.

Harry crossed to the middle of the apartment and stood gazing

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

with bowed head and uneven step. He did not look like a man who was in the mood to join a merry crowd, and yet he was evidently going to his Club. "He wants to show himself; he doesn't want to let people think that he has anything to be afraid of," murmured the peddler, looking after him sharply. Then his eyes suddenly dimmed and a light sigh was heard, with another murmur, "Poor man." The Councillor reached the station and disappeared within its door. The train arrived and departed a few moments later. Kniepp must have really gone to the city, for although the man behind the pillar waited for some little time, the Councillor did not return - a contingency that the peddler had not deemed improbable.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An International Episode by Henry James:

"I hate the country at this season," responded the duchess.

Mrs. Westgate gave a little shrug. "I think it is pleasanter than London."

But the duchess's eyes were absent again; she was looking very fixedly at Bessie. In a moment she slowly rose, walked to a chair that stood empty at the young girl's right hand, and silently seated herself. As she was a majestic, voluminous woman, this little transaction had, inevitably, an air of somewhat impressive intention. It diffused a certain awkwardness, which Lady Pimlico, as a sympathetic daughter, perhaps desired to rectify in turning to Mrs. Westgate.

"I daresay you go out a great deal," she observed.

"No, very little. We are strangers, and we didn't come here for society."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

literature; and Niebuhr (who once restored from recollection a book of accounts which had been accidentally destroyed) was in the habit of referring to book and chapter of an ancient author without consulting his notes. Nay, there is Professor Sophocles, of Harvard University, who, if you suddenly stop and interrogate him in the street, will tell you just how many times any given Greek word occurs in Thukydides, or in AEschylos, or in Plato, and will obligingly rehearse for you the context. If all extant copies of the Homeric poems were to be gathered together and burnt up to-day, like Don Quixote's library, or like those Arabic manuscripts of which Cardinal


Myths and Myth-Makers