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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master of the World by Jules Verne:

Great Eyrie was to last, I did not know. I saw, however, on the afternoon of this third of August that the repairs and the embarkation of stores were completed. The hold and lockers of our craft must have been completely crowded with the provisions taken from the grottoes of the Eyrie.

Then the chief of the two assistants, a man whom I now recognized as that John Turner who had been mate of the "Albatross," began another labor. With the help of his companion, he dragged to the center of the hollow all that remained of their materials, empty cases, fragments of carpentry, peculiar pieces of wood which clearly must have belonged to the "Albatross," which had been sacrificed to this

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Bondage and My Freedom by Frederick Douglass:

There is no necessity for any extended notice of the incidents of this part of my life. There is nothing very striking or peculiar about my career as a freeman, when viewed apart from my life as a slave. The relation subsisting between my early experience and that which I am now about to narrate, is, perhaps, my best apology for adding another chapter to this book.

Disappearing from the kind reader, in a flying cloud or balloon (pardon the figure), driven by the wind, and knowing not where I should land--whether in slavery or in freedom--it is proper that I should remove, at once, all anxiety, by frankly making known where I alighted. The flight was a bold and perilous one; but


My Bondage and My Freedom
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herland by Charlotte Gilman:

a sacrament, really; that it is only undertaken once, by the majority of the population; that those held unfit are not allowed even that; and that to be encouraged to bear more than one child is the very highest reward and honor in the power of the state."

(She interpolated here that the nearest approach to an aristocracy they had was to come of a line of "Over Mothers"-- those who had been so honored.)

"But what I do not understand, naturally, is how you prevent it. I gathered that each woman had five. You have no tyrannical husbands to hold in check--and you surely do not destroy the unborn--"

The look of ghastly horror she gave me I shall never forget.


Herland
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cavalry General by Xenophon:

[8] Cf. Eur. "Autolycus," fr. 1, trans. by J. A. Symonds, "Greek Poets," 2nd series, p. 283.

[9] Cf. Plut. "Pelop." 34 (Clough, ii. p. 235): "And yet who would compare all the victories in the Pythian and Olympian games put together, with one of these enterprises of Pelopidas, of which he successfully performed so many?"

[10] "To bind about the brows of states happiness as a coronal."

And this, too, is worth noting: that the buccaneer by sea, the privateersman, through long practice in endurance, is able to live at the expense of far superior powers. Yes, and the life of the freebooter is no less natural and appropriate to landsmen--I do not