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Today's Stichomancy for Yoshitaka Amano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Princess by Alfred Tennyson:

To follow: a shout rose again, and made The long line of the approaching rookery swerve From the elms, and shook the branches of the deer From slope to slope through distant ferns, and rang Beyond the bourn of sunset; O, a shout More joyful than the city-roar that hails Premier or king! Why should not these great Sirs Give up their parks some dozen times a year To let the people breathe? So thrice they cried, I likewise, and in groups they streamed away.

But we went back to the Abbey, and sat on,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Verses 1889-1896 by Rudyard Kipling:

An' they call us Her Majesty's Engineers, Her Majesty's Royal Engineers, With the rank and pay of a Sapper! THAT DAY


Verses 1889-1896
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

First we feel, and then we find each feeling

By the changeful world-stream borne away.

Well I know, we oft within us find

Many a hope and many a smart. Charlotte, who can know our mind?

Charlotte, who can know our heart? Ah! 'twould fain be understood, 'twould fain o'erflow

In some creature's fellow-feelings blest, And, with trust, in twofold measure know

All the grief and joy in Nature's breast.

Then thine eye is oft around thee cast,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

and passages probably leading over unlimited areas outside this particular building. The Cyclopean massiveness and gigantism of everything about us became curiously oppressive; and there was something vaguely but deeply unhuman in all the contours, dimensions, proportions, decorations, and constructional nuances of the blasphemously archaic stonework. We soon realized, from what the carvings revealed, that this monstrous city was many million years old. We cannot yet explain the engineering principles used in the anomalous balancing and adjustment of the vast rock masses, though the function of the arch was clearly much relied on. The rooms we visited were


At the Mountains of Madness