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Today's Stichomancy for Adam Sandler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

And Billy has been, well, importunate. And Loretta, poor child, does not know anything about marriage. That is all.

NED. [Reassured.] Oh, I see.

[ALICE HEMINGWAY starts slowly toward right exit, continuing conversation and accompanied by NED.]

ALICE HEMINGWAY. [Calling to LORETTA.] Are you going fishing, Loretta?

[LORETTA looks up from letter and shakes head.]

ALICE HEMINGWAY. [To NED.] Then you're not, I suppose?

NED. No, it's too warm.

ALICE HEMINGWAY. Then I know the place for you.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

throat, had overheard or guessed the question and its answer. She gave me a glance and vanished, calling in shrill, childish tones:

"Mother, here is a gentleman who wishes to speak to you!"

And, along the winding alleys, I followed the skipping and dancing white frill, a sort of will-o'-the-wisp, that showed me the way among the trees.

I must make a full confession. I stopped behind the last shrub in the avenue, pulled up my collar, rubbed my shabby hat and my trousers with the cuffs of my sleeves, dusted my coat with the sleeves themselves, and gave them a final cleansing rub one against the other. I buttoned my coat carefully so as to exhibit

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Daughter of Eve by Honore de Balzac:

A fact worthy of remark is the aversion shown to such conversations by women who are enjoying some illicit happiness; they maintain before the eyes of the world a reserved, prudish, and even timid countenance; they seem to ask silence on the subject, or some condonation of their pleasure from society. When, on the contrary, a woman talks freely of such catastrophes, and seems to take pleasure in doing so, allowing herself to explain the emotions that justify the guilty parties, we may be sure that she herself is at the crossways of indecision, and does not know what road she might take.

During this winter, the Comtesse de Vandenesse heard the great voice of the social world roaring in her ears, and the wind of its stormy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

resolved to go out and walk a little way. So when breakfast was over, she put on her bonnet, and took a direction towards the church. It was nine o'clock, and the men having returned to work again from their first meal, she was not likely to meet many of them in the road. Knowing that Fanny had been laid in the reprobates' quarter of the graveyard, called in the parish "behind church." which was invisible from the road, it was impossible to resist the impulse to enter and look upon a spot which, from nameless feelings, she at the same time dreaded to see. She had been unable to


Far From the Madding Crowd