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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the past or something you must release, and is drawn from The Three Taverns by Edwin Arlington Robinson:

As one or more of the forgotten crumbs That others leave? You know that men's applause And women's envy savor so much of dust That I go hungry, having at home no fare But the same changeless bread that I may swallow Only with tears and prayers? Who told you that? You know that if I read, and read alone, Too many books that no men yet have written, I may go blind, or worse? You know yourself, Of all insistent and insidious creatures, To be the one to save me, and to guard

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

him."

She stood in the centre of a braided rug, and its rings of black and gray seemed to circle about her feet in the dim light. Her height and massiveness in the low room gave her the look of a huge sibyl, while the strange fragrance of the mysterious herb blew in from the little garden.

III

The Schoolhouse

FOR SOME DAYS after this, Mrs. Todd's customers came and went past my windows, and, haying-time being nearly over, strangers began to arrive from the inland country, such was her widespread reputation.

The third excerpt represents the future or something you must embrace, and is drawn from Twenty Years After by Alexandre Dumas:

"I perceive that this creature will be my particular aversion," he muttered.

Grimaud, nevertheless, was resolved for certain reasons not at once to come to a full rupture with the prisoner; he wanted to inspire, not a sudden repugnance, but a good, sound, steady hatred; he retired, therefore, and gave place to four guards, who, having breakfasted, could attend on the prisoner.

A fresh practical joke now occurred to the duke. He had asked for crawfish for his breakfast on the following morning; he intended to pass the day in making a small


Twenty Years After