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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sons and Lovers by D. H. Lawrence:

Now he had the packing up and addressing to do, then he had to weigh his stock of parcels on the scales. Everywhere voices were calling weights, there was the chink of metal, the rapid snapping of string, the hurrying to old Mr. Melling for stamps. And at last the postman came with his sack, laughing and jolly. Then everything slacked off, and Paul took his dinner-basket and ran to the station to catch the eight-twenty train. The day in the factory was just twelve hours long.

His mother sat waiting for him rather anxiously. He had to walk from Keston, so was not home until about twenty past nine. And he left the house before seven in the morning. Mrs. Morel


Sons and Lovers
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

stern of the vessel, while the hungry waves reared like wolves to seize it. Everybody crowded down to the nearest rocks, looking this way and that for a head to appear. They pressed eagerly in every direction where a bit of plank or a barrel-head floated; they fancied faint cries here and there, and went aimlessly to and fro. A new effort, after half a dozen failures, sent a blaze mounting up fitfully among the rocks, startling all with the sudden change its blessed splendor made. Then a shrill shout from one of the watchers summoned all to a cleft in the cove, half shaded from the firelight, where there came rolling in amidst the surf, more dead than alive, the body

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine:

danger. Tall, spare, broad shouldered, this berry-brown young man, crowned with close-cropped curls, sat at the gates of the enemy very much at his insolent case.

"I came over to pay my party call," he explained.

"It really wasn't necessary. A run in the machine is not a formal function."

"Maybe not in Kalamazoo."

"I thought perhaps you had come to get my purse and the sixty-three dollars," she derided.

"No, ma'am; nor yet to get that bunch of cows I was going to rustle from you to buy an auto. I came to ask you to go riding

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle by Upton Sinclair:

his four months' siege behind him, he fought on, in a frenzy of determination; and half an hour later he began to vomit--he vomited until it seemed as if his inwards must be torn into shreds. A man could get used to the fertilizer mill, the boss had said, if he would make up his mind to it; but Jurgis now began to see that it was a question of making up his stomach.

At the end of that day of horror, he could scarcely stand. He had to catch himself now and then, and lean against a building and get his bearings. Most of the men, when they came out, made straight for a saloon--they seemed to place fertilizer and rattlesnake poison in one class. But Jurgis was too ill to think of drinking--he could