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Today's Stichomancy for Alyssa Milano

The first excerpt represents the past or something you must release, and is drawn from Within the Tides by Joseph Conrad:

will get drowned himself before long. Puts his head down the companion. Through the wind and breaking seas he can hear the noise of Stafford's beating against the door and cursing. He listens and says to himself: No. Can't trust him now. . .

"When he gets back to the top of the deck-house he says to Captain Harry, who asks him if he got the things, that he is very sorry. There was something wrong with the door. Couldn't open it. And to tell you the truth, says he, I didn't like to stop any longer in that cabin. There are noises there as if the ship were going to pieces. . . Captain Harry thinks: Nervous; can't be anything wrong with the door. But he says: Thanks - never mind, never mind. . .

Within the Tides
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Across The Plains by Robert Louis Stevenson:

spanned by a bridge; and over the bridge at the time of my knowledge, the celebrated Shell House stood outpost on the west. This had been the residence of an agreeable eccentric; during his fond tenancy, he had illustrated the outer walls, as high (if I remember rightly) as the roof, with elaborate patterns and pictures, and snatches of verse in the vein of EXEGI MONUMENTUM; shells and pebbles, artfully contrasted and conjoined, had been his medium; and I like to think of him standing back upon the bridge, when all was finished, drinking in the general effect and (like Gibbon) already lamenting his employment.

The same bridge saw another sight in the seventeenth century. Mr.

The third excerpt represents the future or something you must embrace, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

along, for half an hour, over this soft, easy carpet - giving way at every step, yielding the more the harder you press, - you'll find it rather wearisome work, and be glad enough to come to a bit of good, firm rock, that won't budge an inch whether you stand, walk, or stamp upon it; and, though it be hard as the nether millstone, you'll find it the easier footing after all.'

'I know what you mean, Ralph,' said she, nervously playing with her watchguard and tracing the figure on the rug with the point of her tiny foot - 'I know what you mean: but I thought you always liked to be yielded to, and I can't alter now.'

'I do like it,' replied he, bringing her to him by another tug at

The Tenant of Wildfell Hall