The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: carried on by literature. We are subject to physical passions
and contortions; the voice breaks and changes, and speaks by
unconscious and winning inflections; we have legible
countenances, like an open book; things that cannot be said
look eloquently through the eyes; and the soul, not locked
into the body as a dungeon, dwells ever on the threshold with
appealing signals. Groans and tears, looks and gestures, a
flush or a paleness, are often the most clear reporters of the
heart, and speak more directly to the hearts of others. The
message flies by these interpreters in the least space of
time, and the misunderstanding is averted in the moment of its
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson: predicament.'
'C'EST VRAI, CA,' he acknowledged, with a laugh; 'OUI, C'EST VRAI.
ET D'OU VENEZ-VOUS?'
A better man than I might have felt nettled.
'Oh,' said I, 'I am not going to answer any of your questions, so
you may spare yourself the trouble of putting them. I am late
enough already; I want help. If you will not guide me yourself, at
least help me to find some one else who will.'
'Hold on,' he cried suddenly. 'Was it not you who passed in the
meadow while it was still day?'
'Yes, yes,' said the girl, whom I had not hitherto recognised; 'it
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