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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the past or something you must release, and is drawn from Georgics by Virgil:

But if the shade with wealth of leaves abound, Vainly your threshing-floor will bruise the stalks Rich but in chaff. Many myself have seen Steep, as they sow, their pulse-seeds, drenching them With nitre and black oil-lees, that the fruit Might swell within the treacherous pods, and they Make speed to boil at howso small a fire. Yet, culled with caution, proved with patient toil, These have I seen degenerate, did not man Put forth his hand with power, and year by year Choose out the largest. So, by fate impelled,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moran of the Lady Letty by Frank Norris:

in um city."

"Shore leave, is it?" said Moran. "You deserted once before without even saying good-by; and my hand in the fire, you'll come back this time dotty with opium. Get away with you. We'll have men aboard here in a few days."

"Can go?" inquired Jim suavely.

"I said so. Report our arrival to your Six Companies."

Hoang rowed Jim and the coolies ashore, and then returned to the schooner with the dory and streamed her astern. As he passed the cabin door on his way forward, Moran hailed him.

"I thought you went ashore?" she cried.

The third excerpt represents the future or something you must embrace, and is drawn from The Memorabilia by Xenophon:

invisible ones, but learn to recognise their power, as revealed in outward things, and to know the divine influence.[27]

[20] Cf. Cic. "de N. D." I. xii. 31; Lactantius, "de Ira," xi. 13.

[21] See L. Dindorf ad loc. (ed. Ox. 1862), {theous}; G. Sauppe, vol. iii. "An. crit." p. xxix; R. Kuhner; C. Schenkl.

[22] i.e. "that man must walk by faith." For {upodeiknunai} cf. "Econ." xii. 18.

[23] Schneid. cf. Plat. "Crat." 396.

[24] Or, "the co-ordinator and container of the universe."

[25] Or, "in whom all beauty and goodness is."

[26] Cf. "Cyrop." VIII. vii. 22; above, I. iv. 13.

The Memorabilia