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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Heap O' Livin' by Edgar A. Guest:

To-morrow.

The greatest of workers this man would have been To-morrow. The world would have known him, had he ever seen To-morrow. But the fact is he died and he faded from view, And all that he left here when living was through Was a mountain of things he intended to do


A Heap O' Livin'
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

course, but they MIGHT find them. One wasn't sure, of course--one wasn't sure. He tried to remember just exactly how he had hidden those tools. He tried to persuade himself they were certainly and surely hidden, but his memory began to play antics. Had he really left the handle of the wrench sticking out, shining out at the fork of the branch?

Ssh! What was that? Some one stirring in those bushes? Up went an expectant muzzle. No! Where was the kitten? No! It was just imagination, not even the kitten.

The Germans would certainly miss and hunt about for the tools and nuts and screws he carried in his pockets; that was clear.,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Antonia by Willa Cather:

who was often sick, and he could make butter by beating sour cream with a wooden spoon. Peter was very fond of his cow. He patted her flanks and talked to her in Russian while he pulled up her lariat pin and set it in a new place.

After he had shown us his garden, Peter trundled a load of watermelons up the hill in his wheelbarrow. Pavel was not at home. He was off somewhere helping to dig a well. The house I thought very comfortable for two men who were `batching.' Besides the kitchen, there was a living-room, with a wide double bed built against the wall, properly made up with blue gingham sheets and pillows. There was a little storeroom, too, with a window, where they


My Antonia
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

his body, we may reply that the legendary Charlemagne conducts himself in many respects like a solar deity. If Odysseus detained by Kalypso represents the sun ensnared and held captive by the pale goddess of night, the legend of Frederic Barbarossa asleep in a Thuringian mountain embodies a portion of a kindred conception. We know that Charlemagne and Frederic have been substituted for Odin; we may suspect that with the mythical impersonations of Achilleus and Odysseus some traditional figures may be blended. We should remember that in early times the solar-myth was a sort of type after which all wonderful stories would be patterned, and that to such a type


Myths and Myth-Makers