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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

"Well, perhaps--"

And he had the impudence to show her his false passport.

A year afterward Wanda met Count Dembizki in Baden, near Vienna. His hair was still black, but he had a magnificent, full, black beard; he had become a Greek prince, and his name was Anastasio Maurokordatos. She met him once in one of the side walks in the park, where he could not avoid her. "If it goes on like this," she called out to him in a mocking voice, "the next time I see you, you will be king, of some negro tribe or other."

That time, however, the Brazilian did not deny his identity; on the contrary, he surrendered at discretion, and implored her not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Camille by Alexandre Dumas:

life two sign-posts, one bearing the inscription "The Right Way," the other the inscription "The Wrong Way," and of saying to those who come there, "Choose." One must needs, like Christ, point out the ways which lead from the second road to the first, to those who have been easily led astray; and it is needful that the beginning of these ways should not be too painful nor appear too impenetrable.

Here is Christianity with its marvellous parable of the Prodigal Son to teach us indulgence and pardon. Jesus was full of love for souls wounded by the passions of men; he loved to bind up their wounds and to find in those very wounds the balm which should


Camille
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vicar of Tours by Honore de Balzac:

and Mademoiselle Gamard the first floor of the main building, looking on the street. When Chapeloud took possession of his rooms they were bare of furniture, and the ceilings were blackened with smoke. The stone mantelpieces, which were very badly cut, had never been painted. At first, the only furniture the poor canon could put in was a bed, a table, a few chairs, and the books he possessed. The apartment was like a beautiful woman in rags. But two or three years later, an old lady having left the Abbe Chapeloud two thousand francs, he spent that sum on the purchase of an oak bookcase, the relic of a chateau pulled down by the Bande Noire, the carving of which deserved the admiration of all artists. The abbe made the purchase less because it was very

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

and mount one of these habitually rageful and intractable beasts was no child's play under the best of conditions; but now, when silence and time were such important considerations, it might well have seemed quite hopeless to a less resourceful and optimistic man than the son of the great warlord.

From his father he had learned much concerning the traits of these mighty beasts, and from Tars Tarkas, also, when he had visited that great green jeddak among his horde at Thark. So now he centred upon the work in hand all that he had ever learned about them from


Thuvia, Maid of Mars