Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde:

Polybius, that pure invention on Homer's part is inconceivable, we may without scruple allow it, for myths, like constitutions, grow gradually, and are not formed in a day. But between a poet's deliberate creation and historical accuracy there is a wide field of the mythopoeic faculty.

This Euhemeristic theory was welcomed as an essentially philosophical and critical method by the unscientific Romans, to whom it was introduced by the poet Ennius, that pioneer of cosmopolitan Hellenicism, and it continued to characterise the tone of ancient thought on the question of the treatment of mythology till the rise of Christianity, when it was turned by such writers

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sophist by Plato:

other in the water?

THEAETETUS: Certainly.

STRANGER: Fowling is the general term under which the hunting of all birds is included.

THEAETETUS: True.

STRANGER: The hunting of animals who live in the water has the general name of fishing.

THEAETETUS: Yes.

STRANGER: And this sort of hunting may be further divided also into two principal kinds?

THEAETETUS: What are they?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Of The Nature of Things by Lucretius:

Thus, when they say there "is" the ravishment Of Princess Helen, "is" the siege and sack Of Trojan Town, look out, they force us not To admit these acts existent by themselves, Merely because those races of mankind (Of whom these acts were accidents) long since Irrevocable age has borne away: For all past actions may be said to be But accidents, in one way, of mankind,- In other, of some region of the world. Add, too, had been no matter, and no room

Of The Nature of Things

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

making an inventory of it, carefully giving each article its value, which happened, however, to have nothing to do with rupees. Madeline Anderson had been saying something the day before about the intimacy and accuracy with which people's walls expressed them, and though the commonplace was not new to him, this was the first time it had ever led him to scan his wife's. What he saw may be imagined, but his only distinct reflection was that he had no idea that she had been photographed so variously or had so many friends who wore resplendent Staff uniforms. The relation of cheapness in porcelain ornaments to the lady's individuality was beyond him, and he could not analyze his feelings of sitting in the midst of her