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Today's Stichomancy for Claire Forlani

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Louis Lambert by Honore de Balzac:

his feet on the cross-bar below, and said:

"Now, ten of you try to move it!"

I was present, and can vouch for this strange display of strength; it was impossible to move the table.

Lambert had the gift of summoning to his aid at certain times the most extraordinary powers, and of concentrating all his forces on a given point. But children, like men, are wont to judge of everything by first impressions, and after the first few days we ceased to study Louis; he entirely belied Madame de Stael's prognostications, and displayed none of the prodigies we looked for in him.

After three months at school, Louis was looked upon as a quite


Louis Lambert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The King of the Golden River by John Ruskin:

"Why didn't you come before," continued the dwarf, "instead of sending me those rascally brothers of yours, for me to have the trouble of turning into stones? Very hard stones they make, too."

"O dear me!" said Gluck, "have you really been so cruel?"

"Cruel!" said the dwarf; "they poured unholy water into my stream. Do you suppose I'm going to allow that?"

"Why," said Gluck, "I am sure, sir,--your Majesty, I mean,-- they got the water out of the church font."

"Very probably," replied the dwarf, "but" (and his countenance grew stern as he spoke) "the water which has been refused to the cry of the weary and dying is unholy, though it had

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Laches by Plato:

his own trireme also burst out laughing; they could not refrain when they beheld the weapon waving in the air, suspended from the transport. Now I do not deny that there may be something in such an art, as Nicias asserts, but I tell you my experience; and, as I said at first, whether this be an art of which the advantage is so slight, or not an art at all, but only an imposition, in either case such an acquirement is not worth having. For my opinion is, that if the professor of this art be a coward, he will be likely to become rash, and his character will be only more notorious; or if he be brave, and fail ever so little, other men will be on the watch, and he will be greatly traduced; for there is a jealousy of such pretenders; and unless a man be pre-eminent in valour, he cannot help being ridiculous,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Waste Land by T. S. Eliot:

357. This is _Turdus aonalaschkae pallasii_, the hermit-thrush which I have heard in Quebec County. Chapman says (_Handbook of Birds of Eastern North America_) 'it is most at home in secluded woodland and thickety retreats. . . . Its notes are not remarkable for variety or volume, but in purity and sweetness of tone and exquisite modulation they are unequalled.' Its 'water-dripping song' is justly celebrated.

360. The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton's): it was related that the party of explorers, at the extremity of their strength, had the constant delusion


The Waste Land