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Today's Stichomancy for Claire Forlani

The first excerpt represents the past or something you must release, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

out all the rest, to see if he be not bid in the barrel. & I find him not there, I'll to the cupboard; I'll not leave one corner of her house unsearched: yfaith, ye old crust, I will be with you now.


ACT IV. SCENE I. Valentia. The Court.

[Sound Music.]

[Enter the King of Valentia, Anselmo, Roderigo, Lord Borachius, with others.]

KING OF VALENTIA. Enough of Music, it but adds to torment;

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Z. Marcas by Honore de Balzac:

from the schools, a little before the dinner-hour, we were accustomed to go up to our room and remain there a while, either waiting for the other, to learn whether there were any change in our plans for the evening. One day, at four o'clock, Juste met Marcas on the stairs, and I saw him in the street. It was in the month of November, and Marcas had no cloak; he wore shoes with heavy soles, corduroy trousers, and a blue double-breasted coat buttoned to the throat, which gave a military air to his broad chest, all the more so because he wore a black stock. The costume was not in itself extraordinary, but it agreed well with the man's mien and countenance.

My first impression on seeing him was neither surprise, nor distress,

The third excerpt represents the future or something you must embrace, and is drawn from New Poems by Robert Louis Stevenson:

And gushes o'er with glee; The fingers of the sun and shade Touch music stops in me.

Now fancy paints that bygone day When you were here, my fair - The whole lake rang with rapid skates In the windless winter air.

You leaned to me, I leaned to you, Our course was smooth as flight - We steered - a heel-touch to the left, A heel-touch to the right.