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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams & Dust by Don Marquis:

Crowned on with sunlight, robed in rich attire; Before their conquering word the brute deed bowed, And Ariel fancies served their large desire;

They spake, and roused the mused soul that dwells In dust, or, smiling, shaped new heavens and hells, Dethroned old gods and made blind beggars kings: "And what art thou," I cried to one, "that brings His mistress, for a brooch, the Galaxy?"-- "I am the plumed Thought that soars and sings:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Verses 1889-1896 by Rudyard Kipling:

From the kentledge on the kelson To the slings upon the yard. Six oceans had their will of us To carry all away -- Our galley's in the Baltic, And our boom's in Mossel Bay! We've floundered off the Texel, Awash with sodden deals, We've slipped from Valparaiso With the Norther at our heels:


Verses 1889-1896
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

right: but what is there in such a conception contrary to any doctrine - at least of the Church of England? To say that this cannot be true; that species cannot vary, because God, at the beginning, created each thing "according to its kind," is really to beg the question; which is - Does the idea of "kind" include variability or not? and if so, how much variability? Now, "kind," or "species," as we call it, is defined nowhere in the Bible. What right have we to read our own definition into the word? - and that against the certain fact, that some "kinds" do vary, and that widely, - mankind, for instance, and the animals and plants which he domesticates. Surely that latter fact should be significant, to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

Rinkitink discovered that the bridge of boats had again been removed, separating them from Regos, and from this they suspected that Queen Cor had fled to her husband's island and had taken Queen Garee with her. Inga was much perplexed what to do and returned with his friends to the palace to talk the matter over.

Zella was now crying because she had not sold her honey and was unable to return to her parents on the island of Regos, but the boy prince comforted her and promised she should be protected until she could be restored to her home. Rinkitink found Queen Cor's


Rinkitink In Oz