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Today's Stichomancy for Hilary Duff

The first excerpt represents the past or something you must release, and is drawn from Whirligigs by O. Henry:

stem pipe. Late in the afternoon he got his weekly paper, and read it until the twilight dimmed its lines. Then he lit the tallow candle on his table, and read until the moon rose, marking the time for supper. He lived in the double log cabin on the slope near the girdled poplar. Going home to supper he crossed a little branch darkened by a laurel thicket. The dark figure of a man stepped from the laurels and pointed a rifle at his breast. His hat was pulled down low, and something covered most of his face.

"I want yo' money," said the figure, "'thout any talk.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

inhabiting a very old quarter and teaching their sons the old art of image-making which to this day they carry on. It was from these children of the exiled hill-people that Carter had heard the best tales about Ngranek when searching through Bahama's ancient taverns. All this time the great gaunt side of Ngranek was looming up higher and higher as Carter approached it. There were sparse trees on the lower slopes and feeble shrubs above them, and then the bare hideous rock rose spectral into the sky, to mix with frost and ice and eternal snow. Carter could see the rifts and ruggedness of that sombre stone, and did not welcome the prospect

The Dream-Quest of Unknown Kadath
The third excerpt represents the future or something you must embrace, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

The august shade would, doubtless, admire our railroads and bridges, our cathedrals and our public parks, and much more of which we need not be ashamed. But after awhile, I think, he would look round, whether in London or in most of our great cities, inquiringly and in vain, for one class of buildings, which in his empire were wont to be almost as conspicuous and as splendid, because, in public opinion, almost as necessary, as the basilicas and temples: "And where," he would ask, "are your public baths?" And if the minister of state who was his guide should answer: "Oh great Caesar, I really do not know. I believe there are some somewhere at the back of that ugly building which we call the