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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Second Jungle Book by Rudyard Kipling:

The single trail of a light man who had been running quickly and bearing a burden on his left shoulder held on round a long, low spur of dried grass, where each footfall seemed, to the sharp eyes of the trackers, marked in hot iron.

Neither spoke till the trail ran up to the ashes of a camp-fire hidden in a ravine.

"Again!" said Bagheera, checking as though he had been turned into stone.

The body of a little wizened Gond lay with its feet in the ashes, and Bagheera looked inquiringly at Mowgli.

"That was done with a bamboo," said the boy, after one glance.


The Second Jungle Book
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

The new sledge was carefully built, the Knooks bringing plenty of strong but thin boards to use in its construction. Claus made a high, rounding dash-board to keep off the snow cast behind by the fleet hoofs of the deer; and he made high sides to the platform so that many toys could be carried, and finally he mounted the sledge upon the slender steel runners made by the Gnome King.

It was certainly a handsome sledge, and big and roomy. Claus painted it in bright colors, although no one was likely to see it during his midnight journeys, and when all was finished he sent for Glossie and Flossie to come and look at it.

The deer admired the sledge, but gravely declared it was too big and


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Brothers by Honore de Balzac:

his shaggy hair fringing a skull that was the color of fresh butter, all gave an indescribably debauched and libidinous expression to his appearance. He wore an old iron-gray overcoat decorated with the red ribbon of an officer of the Legion of honor, which met with difficulty over a gastronomic stomach in keeping with a mouth that stretched from ear to ear, and a pair of powerful shoulders. The torso was supported by a spindling pair of legs, while the rubicund tints on the cheek- bones bore testimony to a rollicking life. The lower part of the cheeks, which were deeply wrinkled, overhung a coat-collar of velvet the worse for wear. Among other adornments, the ex-dragoon wore enormous gold rings in his ears.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

indiscriminately) who had outstripped the column. But the commandant himself was singularly surprised by the man's presence; he showed no alarm, but his face grew thoughtful. After looking the intruder well over, he repeated, mechanically, as if preoccupied with anxious thought: "Yes, why don't they come on? do you know, you?"

"Because," said the gloomy apparition, with an accent which proved his difficulty in speaking French, "there Maine begins" (pointing with his huge, rough hand towards Ernee), "and Bretagne ends."

Then he struck the ground sharply with the handle of his heavy whip close to the commandant's feet. The impression produced on the spectators by the laconic harangue of the stranger was like that of a


The Chouans