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Today's Stichomancy for Jennifer Garner

The first excerpt represents the past or something you must release, and is drawn from Betty Zane by Zane Grey:

those black waits Isaac felt no fear, he knew the strength of that arm, now rigid and again moving with lightning swiftness; he knew the power of the eye which guided them.

Once more out under the starry sky; rifts, shallows, narrows, and lake-like basins were passed swiftly. At length as the sky was becoming gray in the east, they passed into the shadow of what was called the Standing Stone. This was a peculiarly shaped stone-faced bluff, standing high over the river, and taking its name from Tarhe, or Standing Stone, chief of all the Hurons.

At the first sight of that well known landmark, which stood by the Wyandot village, there mingled with Isaac's despondency and resentment some other feeling that was akin to pleasure; with a quickening of the pulse came a


Betty Zane
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

I go to town next month."

"Don't speak of your going away tonight," begged Diana. "I don't want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?"

"Not a bit. I've recited so often in public I don't mind at all now. I've decided to give `The Maiden's Vow.' It's so pathetic. Laura Spencer is going to give a comic recitation, but I'd rather make people cry than laugh."

"What will you recite if they encore you?"

"They won't dream of encoring me," scoffed Anne, who was not


Anne of Green Gables
The third excerpt represents the future or something you must embrace, and is drawn from The Iliad by Homer:

hard by the springs, are the goodly washing-troughs of stone, where in the time of peace before the coming of the Achaeans the wives and fair daughters of the Trojans used to wash their clothes. Past these did they fly, the one in front and the other giving chase behind him: good was the man that fled, but better far was he that followed after, and swiftly indeed did they run, for the prize was no mere beast for sacrifice or bullock's hide, as it might be for a common foot-race, but they ran for the life of Hector. As horses in a chariot race speed round the turning-posts when they are running for some great prize--a tripod or woman--at the games in honour of some dead hero, so did


The Iliad