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Today's Stichomancy for Jennifer Love Hewitt

The first excerpt represents the past or something you must release, and is drawn from A Voyage to Arcturus by David Lindsay:

every way was like every other way, he had no idea which quarter to attack. He grew frightened, and muttered to himself. Craning his neck back, he stared upward and tried to discover the points of the compass from the direction of the sunlight, but it was impossible.

While he was standing there, anxious and hesitating, he heard the drum taps. The rhythmical beats proceeded from some distance off. The unseen drummer seemed to be marching through the forest, away from him.

"Surtur!" he said, under his breath. The next moment he marvelled at himself for uttering the name. That mysterious being had not been in his thoughts, nor was there any ostensible connection between him and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

case once--but that is another story.

All India knew Wressley's name and office--it was in Thacker and Spink's Directory--but who he was personally, or what he did, or what his special merits were, not fifty men knew or cared. His work filled all his time, and he found no leisure to cultivate acquaintances beyond those of dead Rajput chiefs with Ahir blots in their 'scutcheons. Wressley would have made a very good Clerk in the Herald's College had he not been a Bengal Civilian.

Upon a day, between office and office, great trouble came to Wressley--overwhelmed him, knocked him down, and left him gasping as though he had been a little school-boy. Without reason, against

The third excerpt represents the future or something you must embrace, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

[11] Cf. "Hipparch." i. 9; "Econ." ii. 8.

[12] E.g. the {dikasteria}.

In the next place, in regard to what some people are puzzled to explain--the fact that everywhere greater consideration is shown to the base, to poor people and to common folk, than to persons of good quality--so far from being a matter of surprise, this, as can be shown, is the keystone of the preservation of the democracy. It is these poor people, this common folk, this riff-raff,[13] whose prosperity, combined with the growth of their numbers, enhances the democracy. Whereas, a shifting of fortune to the advantage of the wealthy and the better classes implies the establishment on the part