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Today's Stichomancy for Jon Stewart

The first excerpt represents the past or something you must release, and is drawn from De Profundis by Oscar Wilde:

those who were 'sullen in the sweet air,' saying for ever and ever through their sighs -

'Tristi fummo Nell aer dolce che dal sol s'allegra.'

I knew the church condemned ACCIDIA, but the whole idea seemed to me quite fantastic, just the sort of sin, I fancied, a priest who knew nothing about real life would invent. Nor could I understand how Dante, who says that 'sorrow remarries us to God,' could have been so harsh to those who were enamoured of melancholy, if any such there really were. I had no idea that some day this would become to me one of the greatest temptations of my life.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

'Yes,' said the mother, 'if only someone would come who would have her.' At length a man came from a distance and wooed her, who was called Hans; but he stipulated that Clever Elsie should be really smart. 'Oh,' said the father, 'she has plenty of good sense'; and the mother said: 'Oh, she can see the wind coming up the street, and hear the flies coughing.' 'Well,' said Hans, 'if she is not really smart, I won't have her.' When they were sitting at dinner and had eaten, the mother said: 'Elsie, go into the cellar and fetch some beer.' Then Clever Elsie took the pitcher from the wall, went into the cellar, and tapped the lid briskly as she went, so that the time might not appear long. When she was below she fetched herself a chair, and set it


Grimm's Fairy Tales
The third excerpt represents the future or something you must embrace, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Like unto shipwrecked Paul on Melita's desolate sea-shore. Thus he approached the place where Evangeline sat with her father, And in the flickering light beheld the face of the old man, Haggard and hollow and wan, and without either thought or emotion, E'en as the face of a clock from which the hands have been taken. Vainly Evangeline strove with words and caresses to cheer him, Vainly offered him food; yet he moved not, he looked not, he spake not But, with a vacant stare, ever gazed at the flickering