The first excerpt represents the past or something you must release, and is drawn from Vendetta by Honore de Balzac: Luigi took his wife in his arms, without removing the child, which she
clasped with inconceivable force; and after laying her on the bed he
went out to seek help.
"Oh! my God!" he said, as he met his landlord on the stairs. "I have
gold, gold, and my child has died of hunger, and his mother is dying,
too! Help me!"
He returned like one distraught to his wife, leaving the worthy mason,
and also the neighbors who heard him to gather a few things for the
needs of so terrible a want, hitherto unknown, for the two Corsicans
had carefully hidden it from a feeling of pride.
Luigi had cast his gold upon the floor and was kneeling by the bed on
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Within the Tides by Joseph Conrad: wretched creature Stafford pretending to have been up to something
so desperate. . . Is that how you think you can treat me now? yells
the other man all of a sudden. . .
"A sea strikes the stern, the ship trembles and groans all round
them, there's the noise of the seas about and overhead, confusing
Cloete, and he hears the other screaming as if crazy. . . Ah, you
don't believe me! Go and look at the port chain. Parted? Eh? Go
and see if it's parted. Go and find the broken link. You can't.
There's no broken link. That means a thousand pounds for me. No
less. A thousand the day after we get ashore - prompt. I won't
wait till she breaks up, Mr. Cloete. To the underwriters I go if
 Within the Tides |
The third excerpt represents the future or something you must embrace, and is drawn from Allan Quatermain by H. Rider Haggard: consideration, which we thought might result unfavourably to
ourselves, we instantly took our paddles and advanced towards
them, Good standing in the bow and taking off his cocked hat
politely in ever direction, his amiable features suffused by
a bland but intelligent smile. Most of the craft retreated as
we advanced, but a few held their ground, while the big row-boat
came on to meet us. Presently we were alongside, and I could
see that our appearance -- and especially Good's and Umslopogaas's
-- filled the venerable-looking commander with astonishment,
not unmixed with awe. He was dressed after the same fashion
as the man we first met, except that his shirt was not made of
 Allan Quatermain |