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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hidden Masterpiece by Honore de Balzac:

again, a dead body. Your creation is incomplete. You have breathed only a part of your soul into the well-beloved work. The torch of Prometheus went out in your hands over and over again; there are several parts of your painting on which the celestial flame never shone."

"But why is it so, my dear master?" said Porbus humbly, while the young man could hardly restrain a strong desire to strike the critic.

"Ah! that is the question," said the little old man. "You are floating between two systems,--between drawing and color, between the patient phlegm and honest stiffness of the old Dutch masters and the dazzling warmth and abounding joy of the Italians. You have tried to follow, at

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glasses by Henry James:

they did to other objects they magnified immensely the kind eyes behind them. Blest conveniences they were, in their hideous, honest strength--they showed the good lady everything in the world but her own queerness. This element was enhanced by wild braveries of dress, reckless charges of colour and stubborn resistances of cut, wondrous encounters in which the art of the toilet seemed to lay down its life. She had the tread of a grenadier and the voice of an angel.

In the course of a walk with her the day after my arrival I found myself grabbing her arm with sudden and undue familiarity. I had been struck by the beauty of a face that approached us and I was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

considered a point of honour not to employ the underground railway, omnibuses, or any artificial means of locomotion. The race is to the swift.

Besides the professional posers of the studio there are posers of the Row, the posers at afternoon teas, the posers in politics and the circus posers. All four classes are delightful, but only the last class is ever really decorative. Acrobats and gymnasts can give the young painter infinite suggestions, for they bring into their art an element of swiftness of motion and of constant change that the studio model necessarily lacks. What is interesting in these 'slaves of the ring' is that with them Beauty is an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato:

Indeed, Theaetetus, the task is a difficult one.

THEAETETUS: Why?

STRANGER: He who says that falsehood exists has the audacity to assert the being of not-being; for this is implied in the possibility of falsehood. But, my boy, in the days when I was a boy, the great Parmenides protested against this doctrine, and to the end of his life he continued to inculcate the same lesson--always repeating both in verse and out of verse:

'Keep your mind from this way of enquiry, for never will you show that not- being is.'

Such is his testimony, which is confirmed by the very expression when sifted a little. Would you object to begin with the consideration of the