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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the past or something you must release, and is drawn from Phaedo by Plato:

imperfection of our present state and yet of the progress which is observable in the history of the world and of the human mind; of the depth and power of our moral ideas which seem to partake of the very nature of God Himself; when we consider the contrast between the physical laws to which we are subject and the higher law which raises us above them and is yet a part of them; when we reflect on our capacity of becoming the 'spectators of all time and all existence,' and of framing in our own minds the ideal of a perfect Being; when we see how the human mind in all the higher religions of the world, including Buddhism, notwithstanding some aberrations, has tended towards such a belief--we have reason to think that our destiny is different from that of animals; and though we cannot

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Heritage of the Desert by Zane Grey:

pressed him back. Then the roan hugged Silvermane so close that half the time the Navajo virtually rode two horses. But for the rigidity of his arms, and the play and sudden tension of his leg-muscles, the Indian's work would have appeared commonplace, so dexterous was he, so perfectly at home in his dangerous seat. Suddenly he whooped and August Naab hauled back the gate, and the two horses, neck and neck, thundered out upon the level stretch.

"Good!" cried August. "Let him rip now, Navvy. All over but the work, Jack. I feared Silvermane would spear himself on some of those dead cedar spikes in the corral. He's safe now."

Jack watched the horses plunge at breakneck speed down the stretch,


The Heritage of the Desert
The third excerpt represents the future or something you must embrace, and is drawn from Around the World in 80 Days by Jules Verne:

he was going away, when Mr. Fogg said, "The vessel now belongs to me?"

"Certainly, from the keel to the truck of the masts--all the wood, that is."

"Very well. Have the interior seats, bunks, and frames pulled down, and burn them."

It was necessary to have dry wood to keep the steam up to the adequate pressure, and on that day the poop, cabins, bunks, and the spare deck were sacrificed. On the next day, the 19th of December, the masts, rafts, and spars were burned; the crew worked lustily, keeping up the fires. Passepartout hewed, cut, and sawed away with all his might. There was a perfect rage for demolition.

The railings, fittings, the greater part of the deck, and top sides


Around the World in 80 Days