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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

season, giving perhaps too little. Purcel is in another class from any I have mentioned. He is no debater, but appears in conversation, as occasion rises, in two distinct characters, one of which I admire and fear, and the other love. In the first, he is radiantly civil and rather silent, sits on a high, courtly hilltop, and from that vantage-ground drops you his remarks like favours. He seems not to share in our sublunary contentions; he wears no sign of interest; when on a sudden there falls in a crystal of wit, so polished that the dull do not perceive it, but so right that the sensitive are silenced. True talk should have more body and blood, should be louder, vainer and more declaratory of the man; the true

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pivot of Civilization by Margaret Sanger:

kinetic, dynamic, evolutionary organism, shifting and changing with the successive generations, rising and falling, cleansing itself of inherent defects, or under adverse and dysgenic influences, sinking into degeneration and deterioration.

``Eugenics'' was first defined by Sir Francis Galton in his ``Human Faculty'' in 1884, and was subsequently developed into a science and into an educational effort. Galton's ideal was the rational breeding of human beings. The aim of Eugenics, as defined by its founder, is to bring as many influences as can be reasonably employed, to cause the useful classes of the community to contribute MORE than their proportion to the next generation. Eugenics thus concerns itself with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine:

tangle of contradiction to me. I've milled it over a heap in my mind, too."

"What are some of the contradictions?"

"Well, here's one right off the bat, as we used to say back in the States. Bannister is a great musician, they claim; fine singer, and all that. Now I happen to know he can't sing any more than a bellowing yearling."

"How do you know?" she asked, her eyes shining with interest.

"Because I heard him try it. 'Twas one day last summer when I was out cutting trail of a bunch of strays down by Dead Cow Creek. The day was hot, and I lay down behind a cottonwood and dropped

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

common good, they would fly the task in terror. They would make excuses and refuse the undertaking. They do not want the world to go right. The very idea of the world going right does not exist in their minds. They are embodied discontent and hatred, making trouble, and that is all they are. They want to be "rebels"--to be admired as "rebels".

That is the true psychology of the Resentful Employee. He is a de-socialised man. His sense of the State has been destroyed.

The Resentful Employees are the outcome of our social injustices. They are the failures of our social ad educational systems. We may regret their pitiful degradation, we may exonerate them from