The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: Then the Galu recommenced his, "Food! Food! There is a way out!"
Bradley tossed him another bit of dried meat, waiting patiently
until he had eaten it, this time more slowly.
"What do you mean by saying there is a way out?" he asked.
"He who died here just after I came, told me," replied An-Tak.
"He said there was a way out, that he had discovered it but was
too weak to use his knowledge. He was trying to tell me how to
find it when he died. Oh, Luata, if he had lived but a moment more!"
"They do not feed you here?" asked Bradley.
"No, they give me water once a day--that is all."
"But how have you lived, then?"
 Out of Time's Abyss |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato: SCENE: The House of Agathon.
Concerning the things about which you ask to be informed I believe that I
am not ill-prepared with an answer. For the day before yesterday I was
coming from my own home at Phalerum to the city, and one of my
acquaintance, who had caught a sight of me from behind, calling out
playfully in the distance, said: Apollodorus, O thou Phalerian (Probably a
play of words on (Greek), 'bald-headed.') man, halt! So I did as I was
bid; and then he said, I was looking for you, Apollodorus, only just now,
that I might ask you about the speeches in praise of love, which were
delivered by Socrates, Alcibiades, and others, at Agathon's supper.
Phoenix, the son of Philip, told another person who told me of them; his
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac: moments my whole vitality, my thoughts and powers, are merged and
united in what I must call desire, for lack of a word to express
that nameless delirium.
"And I may confess to you now that one day, when I would not take
your hand when you offered it so sweetly--an act of melancholy
prudence that made you doubt my love--I was in one of those fits
of madness when a man could commit a murder to possess a woman.
Yes, if I had felt the exquisite pressure you offered me as
vividly as I heard your voice in my heart, I know not to what
lengths my passion might not have carried me. But I can be silent,
and suffer a great deal. Why speak of this anguish when my visions
 Louis Lambert |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Children of the Night by Edwin Arlington Robinson: Good fortitude, clean wisdom, and strong skill.
XXIII
To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, --
These are the fleshly clogs of human greed,
The fundamental blunders of mankind.
XXIV
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