The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis: hundred, ruins of benches, tables, chairs, old nondescript pieces
of planking, broken crates and boxes, were flung together there
in moldering confusion. It was evident that after the scheme of
using the Jasper B.'s hulk as one of the attractions of a
pleasure resort had failed, all the debris of the failure had
simply been thrown pell-mell into the hold. Cleggett and Captain
Abernethy decided that the vessel, which was stepped for two
masts, should be rigged as a schooner. The Captain was soon busy
securing estimates on the amount of work that would have to be
done, and the cost of it. The pile of rubbish in the hold, which
filled it to such an extent that Cleggett gave up the attempt to
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and the Future by H. G. Wells: quality of the ordinary British soldiers in our new armies. One
Colonial colonel said something almost incredible to me--almost
incredible as coming as from a Frenchman; it was a matter to
solemn for any compliments or polite exaggerations; he said in
tones of wonder and conviction, "/They are as good as
ours./" It was his acme of all possible praise.
That means any sort of British soldier. Unless he is assisted by
a kilt the ordinary Frenchman is unable to distinguish between
one sort of British soldier and another. He cannot tell--let the
ardent nationalist mark the fact!--a Cockney from an Irishman or
the Cardiff from the Essex note. He finds them all extravagantly
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The third excerpt represents the future or something you must embrace, and is drawn from The Devil's Dictionary by Ambrose Bierce: This all audible big-smiling,
I should answer, I should tell you
With a white heart, tumpitumpy,
With a true tongue, honest Injun:
William Bryan, he has Caught It,
Caught the Whangdepootenawah!
Is't the sandhill crane, the shankank,
Standing in the marsh, the kneedeep,
Standing silent in the kneedeep
With his wing-tips crossed behind him
And his neck close-reefed before him,
 The Devil's Dictionary |