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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gambara by Honore de Balzac:

willing listener, took possession of him, and compelled him to listen to the opera he had written for Paris.

"In the first place, monsieur," said the composer, "allow me to explain the subject in a few words. Here, the hearers receiving a musical impression do not work it out in themselves, as religion bids us work out the texts of Scripture in prayer. Hence it is very difficult to make them understand that there is in nature an eternal melody, exquisitely sweet, a perfect harmony, disturbed only by revolutions independent of the divine will, as passions are uncontrolled by the will of men.

"I, therefore, had to seek a vast framework in which effect and cause


Gambara
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:

up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant's neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. "It is your garden now, little children," said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o'clock they found the Giant playing with the children in the most beautiful garden they had ever seen.

All day long they played, and in the evening they came to the Giant

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexander's Bridge by Willa Cather:

world, certainly, but it was always Alexander's picture that the Sunday Supplement men wanted, because he looked as a tamer of rivers ought to look. Under his tumbled sandy hair his head seemed as hard and powerful as a catapult, and his shoulders looked strong enough in themselves to support a span of any one of his ten great bridges that cut the air above as many rivers.

After dinner Alexander took Wilson up to his study. It was a large room over the


Alexander's Bridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Monster Men by Edgar Rice Burroughs:

the more open pathway between the beach and camp.

4

A NEW FACE

As Professor Maxon and von Horn rushed from the workshop to their own campong, they neglected, in their haste, to lock the door between, and for the first time since the camp was completed it stood unlatched and ajar.

The professor had been engaged in taking careful measurements of the head of his latest experiment, the while he coached the young man in the first rudiments of spoken language, and now the subject of his labors


The Monster Men