Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Unconscious Comedians by Honore de Balzac:

among the living. He saw before him a withered face in which shone fixed gray eyes of wearying immobility; a flattened nose, smeared with snuff; knuckle-bones well set up by muscles that, under pretence of being hands, played nonchalantly with a pack of cards, like some machine the movement of which is about to run down. The body, a species of broom-handle decently covered with clothes, enjoyed the advantages of death and did not stir. Above the forehead rose a coif of black velvet. Madame Fontaine, for it was really a woman, had a black hen on her right hand and a huge toad, named Astaroth, on her left. Gazonal did not at first perceive them.

The toad, of surprising dimensions, was less alarming in himself than

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beast in the Jungle by Henry James:

spoiled; so that they were reduced for a few minutes more to wondering a little helplessly why--since they seemed to know a certain number of the same people--their reunion had been so long averted. They didn't use that name for it, but their delay from minute to minute to join the others was a kind of confession that they didn't quite want it to be a failure. Their attempted supposition of reasons for their not having met but showed how little they knew of each other. There came in fact a moment when Marcher felt a positive pang. It was vain to pretend she was an old friend, for all the communities were wanting, in spite of which it was as an old friend that he saw she would have suited him. He

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

. . . Oh! other countries over sea, better, wiser, and less unjust lands. The world is very wide and very big.

MRS. ARBUTHNOT. No, not for me. For me the world is shrivelled to a palm's breadth, and where I walk there are thorns.

HESTER. It shall not be so. We shall somewhere find green valleys and fresh waters, and if we weep, well, we shall weep together. Have we not both loved him?

GERALD. Hester!

HESTER. [Waving him back.] Don't, don't! You cannot love me at all, unless you love her also. You cannot honour me, unless she's holier to you. In her all womanhood is martyred. Not she alone,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

from their complicity. A throb of anger rose in him, but suddenly it fell, and he felt, with a curious sense of relief, that at bottom he no longer cared whether Flamel had told his wife or not. The assumption that Flamel knew about the letters had become a fact to Glennard; and it now seemed to him better that Alexa should know too.

He was frightened at first by the discovery of his own indifference. The last barriers of his will seemed to be breaking down before a flood of moral lassitude. How could he continue to play his part, to keep his front to the enemy, with this poison of indifference stealing through his veins? He tried to brace