The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Legend of Montrose by Walter Scott: wouldst have better learnt to know how to distinguish the accents
of truth. To that Saxon lord, and to the Knight of Ardenvohr, I
will yield such proofs of what I have spoken, that incredulity
shall stand convinced. Meantime, withdraw--I loved thine
infancy, I hate not thy youth--no eye hates the rose in its
blossom, though it groweth upon a thorn, and for thee only do I
something regret what is soon to follow. But he that would
avenge him of his foe must not reck though the guiltless be
engaged in the ruin."
"He advises well, Annot," said Lord Menteith; "in God's name
retire! if--if there be aught in this, your meeting with Sir
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Atheist's Mass by Honore de Balzac: tomb; I may safely tell you about the beginning of my life."
At this moment Bianchon and the great man were in the Rue des
Quatre-Vents, one of the worst streets in Paris. Desplein pointed
to the sixth floor of one of the houses looking like obelisks, of
which the narrow door opens into a passage with a winding
staircase at the end, with windows appropriately termed "borrowed
lights"--or, in French, jours de souffrance. It was a greenish
structure; the ground floor occupied by a furniture-dealer, while
each floor seemed to shelter a different and independent form of
misery. Throwing up his arm with a vehement gesture, Desplein
exclaimed:
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