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Today's Stichomancy for Monica Potter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madame Firmiani by Honore de Balzac:

"Then, madame, he would at least have had the pleasure of gambling."

"And do you think he has had no pleasure here? See! look at Madame Firmiani."

The brightest memories of the old man faded at the sight of his nephew's so-called mistress. His anger died away at the gracious exclamation which came from his lips as he looked at her. By one of those fortunate accidents which happen only to pretty women, it was a moment when all her beauties shone with peculiar lustre, due perhaps to the wax-lights, to the charming simplicity of her dress, to the ineffable atmosphere of elegance that surrounded her. One must needs have studied the transitions of an evening in a Parisian salon to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

XXXVII From a Railway Carriage

Faster than fairies, faster than witches, Bridges and houses, hedges and ditches; And charging along like troops in a battle All through the meadows the horses and cattle: All of the sights of the hill and the plain Fly as thick as driving rain; And ever again, in the wink of an eye, Painted stations whistle by. Here is a child who clambers and scrambles,


A Child's Garden of Verses
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Communist Manifesto by Karl Marx:

there the contest breaks out into riots.

Now and then the workers are victorious, but only for a time. The real fruit of their battles lies, not in the immediate result, but in the ever-expanding union of the workers. This union is helped on by the improved means of communication that are created by modern industry and that place the workers of different localities in contact with one another. It was just this contact that was needed to centralise the numerous local struggles, all of the same character, into one national struggle between classes. But every class struggle is a political struggle. And that union, to attain which the burghers of the


The Communist Manifesto
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

Algiers, and not a few names that found their way from the battlefield into the pages of history--all these things were so many examples set before the French noblesse to show that it was still open to them to take their part in the national existence, and to win recognition of their claims, if, indeed, they could condescend thus far. In every living organism the work of bringing the whole into harmony within itself is always going on.

If a man is indolent, the indolence shows itself in everything that he does; and, in the same manner, the general spirit of a class is pretty plainly manifested in the face it turns on the world, and the soul informs the body.