The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: was stupefied by the invasion of this ferocious animal, and very
uneasy at his co-operation in her daughter's portrait.
"Here, follow these indications," said Bridau, returning the palette,
and taking the note. "I won't thank you. I can go back now to
d'Arthez' chateau, where I am doing a dining-room, and Leon de Lora
the tops of the doors--masterpieces! Come and see us."
And off he went without taking leave, having had enough of looking at
Virginie.
"Who is that man?" asked Madame Vervelle.
"A great artist," answered Grassou.
There was silence for a moment.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson: ye be not judged" - these texts made her body of divinity; she put them
on in the morning with her clothes and lay down to sleep with them at
night; they haunted her like a favourite air, they clung about her like
a favourite perfume. Their minister was a marrowy expounder of the law,
and my lord sat under him with relish; but Mrs. Weir respected him from
far off; heard him (like the cannon of a beleaguered city) usefully
booming outside on the dogmatic ramparts; and meanwhile, within and out
of shot, dwelt in her private garden which she watered with grateful
tears. It seems strange to say of this colourless and ineffectual
woman, but she was a true enthusiast, and might have made the sunshine
and the glory of a cloister. Perhaps none but Archie knew she could be
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