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Today's Stichomancy for Muhammad Ali

The first excerpt represents the past or something you must release, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

with exemplary attention, aware that every eye in the little church was on our pew, and at first I tried to imitate him; but the behaviour of my legs became so alarming that after vainly casting imploring glances at him and seeing that he continued his singing unmoved, I put out my hand and pulled his sleeve.

"Hal-le-lu-jah," sang my father with deliberation; continuing in a low voice without changing the expression of his face, his lips hardly moving, and his eyes fixed abstractedly on the ceiling till the organist, who was also the postman, should have finished his solo, "Did I not tell thee to sit still, Elizabeth?" "Yes, but-- --" "Then do it." "But I want to go home."


Elizabeth and her German Garden
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Human Drift by Jack London:

LORETTA. [Hope dying down.] But not at first.

BILLY. But you did afterward and that's what counts. You let me you in the grape-arbour. You let me -

LORETTA. [With anguish] Don't! Don't!

BILLY. [Relentlessly.]--kiss you when you were playing the piano. You let me kiss you that day of the picnic. And I can't remember all the times you let me kiss you good night.

LORETTA. [Beginning to weep.] Not more than five.

BILLY. [With conviction.] Eight at least.

LORETTA. [Reproachfully, still weeping.] You told me it was all right.

The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister:

eyes had not looked upon Granada, and their ears had never listened to William Tell.

"It is quite singular," pursued Gaston, "how one nook in the world will suddenly remind you of another nook that may be thousands of miles away. One morning, behind the Quai Voltaire, an old, yellow house with rusty balconies made me almost homesick for New Orleans."

"The Quai Voltaire!" said the Padre.

"I heard Rachel in Valerie that night," the young man went on. "Did you know that she could sing, too. She sang several verses by an astonishing little Jew violon-cellist that is come up over there."

The Padre gazed down at his blithe guest. "To see somebody, somebody,