|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:
By the English printers, long before, in London town.
In the great and busy city where the East and West are met,
All the little letters did the English printer set;
While you thought of nothing, and were still too young to play,
Foreign people thought of you in places far away.
Ay, and when you slept, a baby, over all the English lands
Other little children took the volume in their hands;
Other children questioned, in their homes across the seas:
Who was little Louis, won't you tell us, mother, please?
Now that you have spelt your lesson, lay it down and go and play,
A Child's Garden of Verses
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:
coffee-room to a high standard of elegance and order.
As Sally came in, laughing through her frowns, and displaying
a row of dazzling white teeth, she was greeted with shouts and chorus
"Why, here's Sally! What ho, Sally! Hurrah for pretty Sally!"
"I thought you'd grown deaf in that kitchen of yours," muttered Jimmy
Pitkin, as he passed the back of his hand across his very dry lips.
"All ri'! all ri'!" laughed Sally, as she deposited the
freshly-filled tankards upon the tables, "why, what a `urry to be
sure! And is your gran'mother a-dyin' an' you wantin' to see the pore
soul afore she'm gone! I never see'd such a mighty rushin'"
The Scarlet Pimpernel
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master Key by L. Frank Baum:
indicating that the inhabitants were either Turks or some race of
Mohammedans; so Rob decided to make investigations before trusting
himself to their company.
A cluster of tall trees with leafy tops stood a short distance outside
the walls, and here the boy landed and sat down to rest in the
The city seemed as hushed and still as if it were deserted, and before
him stretched the vast plain of white, heated sands. He strained his
eyes to catch a glimpse of the band of warriors he had passed, but
they were moving slowly and had not yet appeared.
The trees that sheltered Rob were the only ones without the city,
The Master Key
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Across The Plains by Robert Louis Stevenson:
their packets, and put up their notes and sketches, something, it
should seem, had been forgotten. A projection of themselves shall
appear to haunt unfriended these scenes of happiness, a natural
child of fancy, begotten and forgotten unawares. Over the whole
field of our wanderings such fetches are still travelling like
indefatigable bagmen; but the imps of Fontainebleau, as of all
beloved spots, are very long of life, and memory is piously
unwilling to forget their orphanage. If anywhere about that wood
you meet my airy bantling, greet him with tenderness. He was a
pleasant lad, though now abandoned. And when it comes to your own
turn to quit the forest, may you leave behind you such another; no