Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

whiskers, because he had been hurt. This made Zeb laugh, in turn, and the boy felt comforted to find that Ozma laughed as merrily at her weeping subject as she had at him.

Just then the Scarecrow proposed a race between the Sawhorse and the Cab-horse; and although all the others were delighted at the suggestion the Sawhorse drew back, saying:

"Such a race would not be fair."

"Of course not," added Jim, with a touch of scorn; "those little wooden legs of yours are not half as long as my own."

"It isn't that," said the Sawhorse, modestly; "but I never tire, and you do."

Dorothy and the Wizard in Oz

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

uncanny and fantastically vivid as the present example; but this one had a wholly novel and obscure quality of menacing symbolism, and I shuddered as the seething labyrinth of fabulous walls and towers and minarets loomed out of the troubled ice vapors above our heads. The effect was that of a Cyclopean city of no architecture known to man or to human imagination, with vast aggregations of night-black masonry embodying monstrous perversions of geometrical laws. There were truncated cones, sometimes terraced or fluted, surmounted by tall cylindrical shafts here and there bulbously enlarged and often capped with tiers of thinnish scalloped disks;

At the Mountains of Madness

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reef by Edith Wharton:

which had shaken West Fifty-fifth Street to its base. The young lady had come back from her adventure no less silly than when she went; and across the table the partner of her flight, a fat young man with eye-glasses, sat stolidly eating terrapin and talking about polo and investments.

The young woman was undoubtedly as silly as ever; yet after watching her for a few minutes Miss Summers perceived that she had somehow grown luminous, perilous, obscurely menacing to nice girls and the young men they intended eventually to accept. Suddenly, at the sight, a rage of possessorship awoke in her. She must save Darrow, assert her right to him

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Turn of the Screw by Henry James:

the air in the court, at least, and there Mrs. Grose could join me. Perfectly can I recall now the particular way strength came to me before we separated for the night. We had gone over and over every feature of what I had seen.

"He was looking for someone else, you say--someone who was not you?"

"He was looking for little Miles." A portentous clearness now possessed me. "THAT'S whom he was looking for."

"But how do you know?"

"I know, I know, I know!" My exaltation grew. "And YOU know, my dear!"

She didn't deny this, but I required, I felt, not even so much telling as that. She resumed in a moment, at any rate: