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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthyphro by Plato:

SOCRATES: I suppose that the man whom your father murdered was one of your relatives--clearly he was; for if he had been a stranger you would never have thought of prosecuting him.

EUTHYPHRO: I am amused, Socrates, at your making a distinction between one who is a relation and one who is not a relation; for surely the pollution is the same in either case, if you knowingly associate with the murderer when you ought to clear yourself and him by proceeding against him. The real question is whether the murdered man has been justly slain. If justly, then your duty is to let the matter alone; but if unjustly, then even if the murderer lives under the same roof with you and eats at the same table, proceed against him. Now the man who is dead was a poor

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister:

these sacred bells, you live too safe for a man like me."

"Too safe!" These echoed words upon the lips of the pale Padre were a whisper too light, too deep, for Gaston's heedless ear.

"Why," the young man pursued in a spirit that was but half levity, "though I yield often to temptation, at times I have resisted it, and here I should miss the very chance to resist. Your garden could never be Eden for me, because temptation is absent from it."

"Absent!" Still lighter, still deeper, was this whisper that the Padre breathed.

"I must find life," exclaimed Gaston, "and my fortune at the mines, I hope. I am not a bad fellow, Father. You can easily guess all the things

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

not to get beyond the first room. They are to say I'm cogitating a great enterprise--in champagne."

To make an old commercial traveller drunk is an impossibility. Cesar mistook the elation of the man's vulgarity when he attempted to sound his mind.

"That infamous Roguin is still connected with you," he began; "don't you think you ought to write and tell him to assist an old friend whom he has compromised,--a man with whom he dined every Sunday, and whom he has known for twenty years?"

"Roguin? A fool! his share is ours now. Don't be worried, old fellow, all will go well. Pay up to the 15th, and after that we will see--I


Rise and Fall of Cesar Birotteau
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey:

of stiff leaves in the wind. How white the stars burned! Then a coyote barked, to be bayed by a dog. Gale realized that he was between the edge of an unknown desert and the edge of a hostile town. He had to choose the desert, because, though he had no doubt that in Casita there were many Americans who might befriend him, he could not chance the risks of seeking them at night.

He felt a slight touch on his arm, felt it move down, felt Mercedes slip a trembling cold little hand into his. Dick looked at her. She seemed a white-faced girl now, with staring, frightened black eyes that flashed up at him. If the loneliness, the silence, the desert, the unknown dangers of the night affected him, what must


Desert Gold