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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

cartoons.' His holidays were spent in sketching; his evenings, when they were free, at the theatre. Here at the opera he discovered besides a taste for a new art, the art of music; and it was, he wrote, 'as if he had found out a heaven on earth.' 'I am so anxious that whatever he professes to know, he should really perfectly possess,' his mother wrote, 'that I spare no pains'; neither to him nor to myself, she might have added. And so when he begged to be allowed to learn the piano, she started him with characteristic barbarity on the scales; and heard in consequence 'heart-rending groans' and saw 'anguished claspings of hands' as he lost his way among their arid intricacies.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

Carnaby, that remarkable vestige of his own brilliant youth. I had heard of him, but never seen him. For a man of sixty-five who had sinned all the sins, so they said, and laid waste the most magnificent political debut of any man of his generation, he seemed to me to be looking remarkably fit and fresh. He was a lean little man with grey-blue eyes in his brown face, and his cracked voice was the worst thing in his effect.

"Hope you don't mind us coming this way, Ponderevo," he cried; and my uncle, who was sometimes a little too general and generous with titles, answered, "Not at all, my lord, not at all! Glad you make use of it!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chouans by Honore de Balzac:

of men attended to the removal of the wounded. The carts and horses of the neighborhood were put into requisition, and the suffering men were carefully laid on the clothing of the dead. Before the little column started, the National Guard of Fougeres turned over to Hulot a Chouan, dangerously wounded, whom they had captured at the foot of the slope up which his comrades had escaped, and where he had fallen from weakness.

"Thanks for your help, citizens," said the commandant. "God's thunder! if it hadn't been for you, we should have had a pretty bad quarter of an hour. Take care of yourselves; the war has begun. Adieu, friends." Then, turning to the prisoner, he asked, "What's the name of your


The Chouans
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

me, you know what that means, and that all I wish is to see you happy. Do you think I cannot enjoy your pleasures? Esther, I do. If I am uneasy, if I am alarmed, if - . Oh, believe me, try and believe in me,' he cried, giving up argument with perhaps a happy inspiration.

But the girl's suspicions were aroused; and though she pressed the matter no farther (indeed, her father was already seen returning), it by no means left her thoughts. At one moment she simply resented the selfishness of a man who had obtruded his dark looks and passionate language on her joy; for there is nothing that a woman can less easily forgive