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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the past or something you must release, and is drawn from Charmides and Other Poems by Oscar Wilde:

You cannot choose but know my love, For he a shepherd's crook doth bear, And he is soft as any dove, And brown and curly is his hair.

The turtle now has ceased to call Upon her crimson-footed groom, The grey wolf prowls about the stall, The lily's singing seneschal Sleeps in the lily-bell, and all The violet hills are lost in gloom. O risen moon! O holy moon!

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

"Can't STAND them." She looked at Myrtle and then at Tom. "What I say is, why go on living with them if they can't stand them? If I was them I'd get a divorce and get married to each other right away."

"Doesn't she like Wilson either?"

The answer to this was unexpected. It came from Myrtle, who had overheard the question, and it was violent and obscene.

"You see," cried Catherine triumphantly. She lowered her voice again. "It's really his wife that's keeping them apart. She's a Catholic, and they don't believe in divorce."

Daisy was not a Catholic, and I was a little shocked at the elaborateness of the lie.


The Great Gatsby
The third excerpt represents the future or something you must embrace, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

and accessories, all were treated in such a way as to suggest that the artist had meant to make game of the shop-owner and of the passing observer. Time, while impairing this artless painting, had made it yet more grotesque by introducing some uncertain features which must have puzzled the conscientious idler. For instance, the cat's tail had been eaten into in such a way that it might now have been taken for the figure of a spectator--so long, and thick, and furry were the tails of our forefathers' cats. To the right of the picture, on an azure field which ill-disguised the decay of the wood, might be read the name "Guillaume," and to the left, "Successor to Master Chevrel." Sun and rain had worn away most of the gilding parsimoniously applied to the