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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach:

Ecclesiastes 11: 4 He that observeth the wind shall not sow; and he that regardeth the clouds shall not reap.

Ecclesiastes 11: 5 As thou knowest not what is the way of the wind, nor how the bones do grow in the womb of her that is with child; even so thou knowest not the work of God who doeth all things.

Ecclesiastes 11: 6 In the morning sow thy seed, and in the evening withhold not thy hand; for thou knowest not which shall prosper, whether this or that, or whether they both shall be alike good.

Ecclesiastes 11: 7 And the light is sweet, and a pleasant thing it is for the eyes to behold the sun.

Ecclesiastes 11: 8 For if a man live many years, let him rejoice in them all, and remember the days of darkness, for they shall be many. all that cometh is vanity.

Ecclesiastes 11: 9 Rejoice, O young man, in thy youth; and let thy heart cheer thee in the days of thy youth, and walk in the ways of thy heart, and in the sight of thine eyes; but know thou, that for all these things God will bring thee into judgment.

Ecclesiastes 11: 10 Therefore remove vexation from thy heart, and put away evil from thy flesh; for childhood and youth are vanity.

Ecclesiastes 12: 1 Remember then thy Creator in the days of thy youth, before the evil days come, and the years draw nigh, when thou shalt say: 'I have no pleasure in them';

Ecclesiastes 12: 2 Before the sun, and the light, and the moon, and the stars, are darkened, and the clouds return after the rain;

Ecclesiastes 12: 3 In the day when the keepers of the house shall tremble, and the strong men shall bow themselves, and the grinders cease because they are few, and those that look out shall be dark


The Tanach
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac:

make for Zembin. You'll have barely enough time to get through that crowd of men below. I am going presently to set fire to their camp and force them to march."

"You warm me up--almost! That news makes me perspire. I have two friends I MUST save. Ah! without those two to cling to me, I should be dead already. It is for them that I feed my horse and don't eat myself. Have you any food,--a mere crust? It is thirty hours since anything has gone into my stomach, and yet I have fought like a madman --just to keep a little warmth and courage in me."

"Poor Philippe, I have nothing--nothing! But where's your general,--in this house?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moll Flanders by Daniel Defoe:

He told me he wrote two or three letters to me, directed according to my order, but heard nothing from me. This I indeed knew to be true, but the letters coming to my hand in the time of my latter husband, I could do nothing in it, and therefore chose to give no answer, that so he might rather believe they had miscarried.

Being thus disappointed, he said, he carried on the old trade ever since, though when he had gotten so much money, he said, he did not run such desperate risks as he did before. Then he gave me some account of several hard and desperate encounters which he had with gentlemen on the road, who


Moll Flanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

whispering your confession over the edge of the world. Nothing came back--not even an echo.

In the pain of that thought was born his conscience; not that fear of remorse which grows slowly, and slowly decays amongst the complicated facts of life, but a Divine wisdom springing full-grown, armed and severe out of a tried heart, to combat the secret baseness of motives. It came to him in a flash that morality is not a method of happiness. The revelation was terrible. He saw at once that nothing of what he knew mattered in the least. The acts of men and women, success, humiliation, dignity, failure--nothing mattered. It was not a question of more or less pain, of this joy, of that sorrow. It was a


Tales of Unrest