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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

tion of getting a couple quid out of him by writ- ing a lot of silly nonsense in a letter. That lark did not come off, though. We had to clear out--and none too soon. But this time I've a chum waiting for me in London, and besides . . ."

Bessie Carvil was breathing quickly.

"What if I tried a knock at the door?" he sug- gested.

"Try," she said.

Captain Hagberd's gate squeaked, and the shad- ow of the son moved on, then stopped with another


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Roads of Destiny by O. Henry:

also--

"To-morrow," Grandemont was saying, as he stood by the couch of his guest, speaking the words with his face shining as must have shone the face of Elijah's charioteer when he announced the glories of that heavenly journey--"To-morrow I will take you to Her."

XVIII

ON BEHALF OF THE MANAGEMENT

This is the story of the man manager, and how he held his own until the very last paragraph.

I had it from Sully Magoon, /viva voce/. The words are indeed his; and if they do not constitute truthful fiction my memory should be taxed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

intelligence seemed concentrating swift, wild thoughts round the shock to her consciousness. By that terrible expression of his face, by those thundering words of scorn, would she come to realize the mighty truth of his descent into the abyss and his rise to the heights. Vaguely she began to see. An awful sense of her deadness, of her soul-blighting selfishness, began to dawn upon her as something monstrous out of dim, gray obscurity. She trembled under the reality of thoughts that were not new. How she had babbled about Glenn and the crippled soldiers! How she had imagined she sympathized! But she had only been a vain, worldly, complacent, effusive little fool. She had here the shock of her life, and she sensed a greater one, impossible to grasp.


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Prince by Nicolo Machiavelli:

qualities, which made him admirable in the sight of the people and acceptable to the soldiers, for he was a warlike man, most enduring of fatigue, a despiser of all delicate food and other luxuries, which caused him to be beloved by the armies. Nevertheless, his ferocity and cruelties were so great and so unheard of that, after endless single murders, he killed a large number of the people of Rome and all those of Alexandria. He became hated by the whole world, and also feared by those he had around him, to such an extent that he was murdered in the midst of his army by a centurion. And here it must be noted that such- like deaths, which are deliberately inflicted with a resolved and desperate courage, cannot be avoided by princes, because any one who


The Prince