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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Menexenus by Plato:

ones; and some kinds of composition, such as epistles or panegyrical orations, are more liable to suspicion than others; those, again, which have a taste of sophistry in them, or the ring of a later age, or the slighter character of a rhetorical exercise, or in which a motive or some affinity to spurious writings can be detected, or which seem to have originated in a name or statement really occurring in some classical author, are also of doubtful credit; while there is no instance of any ancient writing proved to be a forgery, which combines excellence with length. A really great and original writer would have no object in fathering his works on Plato; and to the forger or imitator, the 'literary hack' of Alexandria and Athens, the Gods did not grant originality or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

opposite sources, but they are not in themselves opposite. For must not pleasure be of all things most absolutely like pleasure,--that is, like itself?

SOCRATES: Yes, my good friend, just as colour is like colour;--in so far as colours are colours, there is no difference between them; and yet we all know that black is not only unlike, but even absolutely opposed to white: or again, as figure is like figure, for all figures are comprehended under one class; and yet particular figures may be absolutely opposed to one another, and there is an infinite diversity of them. And we might find similar examples in many other things; therefore do not rely upon this argument, which would go to prove the unity of the most extreme opposites.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato:

desires?

PROTARCHUS: Certainly.

SOCRATES: And yet they are very different; what common nature have we in view when we call them by a single name?

PROTARCHUS: By heavens, Socrates, that is a question which is not easily answered; but it must be answered.

SOCRATES: Then let us go back to our examples.

PROTARCHUS: Where shall we begin?

SOCRATES: Do we mean anything when we say 'a man thirsts'?

PROTARCHUS: Yes.

SOCRATES: We mean to say that he 'is empty'?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey:

still one instant. It changed so that I could not tell what it did look like. Them were life and movement in it, and something terribly sinister. I tried to calculate how far distant the fire was and how fast it was coming, but that, in my state of mind, I could not do. The whole sweep of forest below me was burning. I felt the strong breeze and smelled the burnt wood. Puffs of white smoke ran out ahead of the main clouds, and I saw three of them widely separated. What they meant puzzled me. But all of a sudden I saw in front of the nearest a flickering gleam of red. Then I knew those white streams of smoke rose where the fire was being sucked up the canyons. They leaped along with amazing speed. It was then that I realized that Dick and Hiram had been caught by one of these offshoots of the fire, and had


The Young Forester