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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

straight for Tippet. The other men scattered for the various trees they had selected--all except Bradley. He stood watching Tippet and the bear. The man had a good start and the tree was not far away; but the speed of the enormous creature behind him was something to marvel at, yet Tippet was in a fair way to make his sanctuary when his foot caught in a tangle of roots and down he went, his rifle flying from his hand and falling several yards away. Instantly Bradley's piece was at his shoulder, there was a sharp report answered by a roar of mingled rage and pain from the carnivore. Tippet attempted to scramble to his feet.

"Lie still!" shouted Bradley. "Can't waste ammunition."


Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

away the one in whom it is aroused. Poor Clifford, he was not to blame. His was the greater misfortune. It was all part of the general catastrophe.

And yet was he not in a way to blame? This lack of warmth, this lack of the simple, warm, physical contact, was he not to blame for that? He was never really warm, nor even kind, only thoughtful, considerate, in a well-bred, cold sort of way! But never warm as a man can be warm to a woman, as even Connie's father could be warm to her, with the warmth of a man who did himself well, and intended to, but who still could comfort it woman with a bit of his masculine glow.

But Clifford was not like that. His whole race was not like that. They


Lady Chatterley's Lover
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Hamlet by William Shakespeare:

Polon. With what, in the name of Heauen? Ophe. My Lord, as I was sowing in my Chamber, Lord Hamlet with his doublet all vnbrac'd, No hat vpon his head, his stockings foul'd, Vngartred, and downe giued to his Anckle, Pale as his shirt, his knees knocking each other, And with a looke so pitious in purport, As if he had been loosed out of hell, To speake of horrors: he comes before me

Polon. Mad for thy Loue? Ophe. My Lord, I doe not know: but truly I do feare it


Hamlet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

even more resplendent by reason of her grace and her fresh costume; she was walking slowly and leading with motherly care, with a daughter's solicitude, the spectre in human attire, who had driven us from the music-room; as she led him, she watched with some anxiety the slow movement of his feeble feet. They walked painfully across the boudoir to a door hidden in the hangings. Marianina knocked softly. Instantly a tall, thin man, a sort of familiar spirit, appeared as if by magic. Before entrusting the old man to this mysterious guardian, the lovely child, with deep veneration, kissed the ambulatory corpse, and her chaste caress was not without a touch of that graceful playfulness, the secret of which only a few privileged women possess.