The first excerpt represents the past or something you must release, and is drawn from The Second Jungle Book by Rudyard Kipling: Sir Purun Dass, K.C.I.E., had resigned position, palace, and
power, and taken up the begging-bowl and ochre-coloured dress of
a Sunnyasi, or holy man, was considered nothing extraordinary.
He had been, as the Old Law recommends, twenty years a youth,
twenty years a fighter,--though he had never carried a weapon in
his life,--and twenty years head of a household. He had used his
wealth and his power for what he knew both to be worth; he had
taken honour when it came his way; he had seen men and cities
far and near, and men and cities had stood up and honoured him.
Now he would let those things go, as a man drops the cloak he no
longer needs.
The Second Jungle Book |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri: And title of my lineage from that stream,
That' twixt Chiaveri and Siestri draws
His limpid waters through the lowly glen.
A month and little more by proof I learnt,
With what a weight that robe of sov'reignty
Upon his shoulder rests, who from the mire
Would guard it: that each other fardel seems
But feathers in the balance. Late, alas!
Was my conversion: but when I became
Rome's pastor, I discern'd at once the dream
And cozenage of life, saw that the heart
The Divine Comedy (translated by H.F. Cary) |
The third excerpt represents the future or something you must embrace, and is drawn from Maid Marian by Thomas Love Peacock: The damsel stood to watch the fight
By the banks of Kingslea Mere,
And they brought to her feet her own true knight
Sore-wounded on a bier.
She knelt by him his wounds to bind,
She washed them with many a tear:
And shouts rose fast upon the wind,
Which told that the foe was near.
"Oh! let not," he said, "while yet I live,
The cruel foe me take:
But with thy sweet lips a last kiss give,
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