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Today's Stichomancy for Shakira

The first excerpt represents the past or something you must release, and is drawn from The Crisis in Russia by Arthur Ransome:

but along a path which, while alike unpleasant and extremely difficult, does seem to them to promise some sort of eventual escape.

No book is entirely objective, so I do not in the least mind stating my own reason for writing this one (which has taken time that I should have liked to spend on other and very different things). Knowledge of this reason will permit the reader to make allowances for such bias I have been unable to avoid, and so, by judicious reading, to make my book perhaps nearly as objective as I should myself wish it to be.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

94. Christians are to be exhorted that they be diligent in following Christ, their Head, through penalties, deaths, and hell;

95. And thus be confident of entering into heaven rather through many tribulations, than through the assurance of peace.

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This text was converted to ascii format for Project Wittenberg by Allen Mulvey and is in the public domain. You may freely distribute, copy or print this text. Please direct any comments or suggestions to: Rev. Robert E. Smith of the Walther Library at

The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy:

with racing currents of juice. God was palpably present in the country, and the devil had gone with the world to town. Flossy catkins of the later kinds, fern-sprouts like bishops' croziers, the square-headed moschatel, the odd cuckoo-pint, -- like an apoplectic saint in a niche of malachite, -- snow-white ladies'-smocks, the toothwort, approximating to human flesh, the enchanter's night- shade, and the black-petaled doleful-bells, were among the quainter objects of the vegetable world in and about Weatherbury at this teeming time; and of the animal, the metamorphosed figures of Mr. Jan Coggan, the


Far From the Madding Crowd